logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Dematerialization And The Social Materiality Of Art Experimental Forms In Argentina 19551968 Elize Mazadiego

  • SKU: BELL-33705216
Dematerialization And The Social Materiality Of Art Experimental Forms In Argentina 19551968 Elize Mazadiego
$ 31.00 $ 45.00 (-31%)

5.0

18 reviews

Dematerialization And The Social Materiality Of Art Experimental Forms In Argentina 19551968 Elize Mazadiego instant download after payment.

Publisher: Brill; Rodopi
File Extension: PDF
File size: 12.56 MB
Pages: 173
Author: Elize Mazadiego
ISBN: 9789004457737, 9789004457881, 9004457739, 9004457887
Language: English
Year: 2021

Product desciption

Dematerialization And The Social Materiality Of Art Experimental Forms In Argentina 19551968 Elize Mazadiego by Elize Mazadiego 9789004457737, 9789004457881, 9004457739, 9004457887 instant download after payment.

Dematerialization and the Social Materiality of Art reconceptualizes mid-twentieth-century avant-garde practices in Argentina with a focus on the changing material status of the art object in relation to the country’s intense period of modernization. Elize Mazadiego presents Oscar Masotta’s notion of dematerialization as a concept for interpreting experimental art practices that negated the object’s primacy, while identifying their promise within the sociopolitical transformations of the 1950s and 1960s. She argues that, in abandoning the traditional art object, the avant-garde developed new materialities rooted in Buenos Aires’ changing social life. A critical examination of art’s materiality and its social role within Argentina, this important study paves the way for broader investigations of postwar Latin American art.

Related Products