A Companion To Medieval Art Romanesque And Gothic In Northern Europe Conrad Rudolph by Conrad Rudolph 9780470996997, 9781405102865, 0470996994, 1405102861 instant download after payment.

A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.

• Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.
• Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars.
• Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives.
• Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.

Content:
Chapter 1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art (pages 1–43): Conrad Rudolph
Chapter 2 Vision (pages 44–64): Cynthia Hahn
Chapter 3 Reception of Images by Medieval Viewers (pages 65–85): Madeline Harrison Caviness
Chapter 4 Narrative (pages 86–105): Suzanne Lewis
Chapter 5 Formalism (pages 106–127): Linda Seidel
Chapter 6 Gender and Medieval Art (pages 128–150): Brigitte Kurmann?Schwarz
Chapter 7 Gregory the Great and Image Theory in Northern Europe during the Twelfth and Thirteenth Centuries (pages 151–172): Herbert L. Kessler
Chapter 8 Art and Exegesis (pages 173–192): Christopher G. Hughes
Chapter 9 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art (pages 193–212): Jill Caskey
Chapter 10 Collecting (and Display) (pages 213–232): Pierre Alain Mariaux
Chapter 11 The Concept of Spolia (pages 233–252): Dale Kinney
Chapter 12 The Monstrous (pages 253–273): Thomas E. A. Dale
Chapter 13 Making Sense of Marginalized Images in Manuscripts and Religious Architecture (pages 274–294): Laura Kendrick
Chapter 14 Romanesque Architecture (pages 295–313): Eric Fernie
Chapter 15 Romanesque Sculpture in Northern Europe (pages 314–333): Colum Hourihane
Chapter 16 Modern Origins of Romanesque Sculpture (pages 334–356): Robert A. Maxwell
Chapter 17 The Historiography of Romanesque Manuscript Illumination (pages 357–381): Adam S. Cohen
Chapter 18 The Study of Gothic Architecture (pages 382–402): Stephen Murray
Chapter 19 Gothic Sculpture from 1150 to 1250 (pages 403–420): Martin Buchsel
Chapter 20 Gothic Manuscript Illustration: The Case of France (pages 421–442): Anne D. Hedeman
Chapter 21 Glazing Medieval Buildings (pages 443–465): Elizabeth Carson Pastan
Chapter 22 Toward a Historiography of the Sumptuous Arts (pages 466–487): Brigitte Buettner
Chapter 23 East Meets West: The Art and Architecture of the Crusader States (pages 488–509): Jaroslav Folda
Chapter 24 Gothic in the East: Western Architecture in Byzantine Lands (pages 510–530): Tassos C. Papacostas
Chapter 25 Architectural Layout: Design, Structure, and Construction in Northern Europe (pages 531–556): Marie?Therese Zenner
Chapter 26 Sculptural Programs (pages 557–576): Bruno Boerner
Chapter 27 Cistercian Architecture (pages 577–598): Peter Fergusson
Chapter 28 Art and Pilgrimage: Mapping the Way (pages 599–618): Paula Gerson
Chapter 29 “The Scattered Limbs of the Giant”: Recollecting Medieval Architectural Revivals (pages 619–638): Tina Waldeier Bizzarro
Chapter 30 The Modern Medieval Museum (pages 639–655): Michelle P. Brown