A Companion To Michael Haneke Roy Grundmann by Roy Grundmann 9781405188005, 9781444320602, 1405188006, 1444320602 instant download after payment.

Content:
Chapter 1 Performative Self?Contradictions: Michael Haneke's Mind Games (pages 51–74): Thomas Elsaesser
Chapter 2 Five Tapes, Four Halls, Two Dreams: Vicissitudes of Surveillant Narration in Michael Haneke's Cache (pages 75–90): Thomas Y. Levin
Chapter 3 Infectious Images: Haneke, Cameron, Egoyan, and the Dueling Epistemologies of Video and Film (pages 91–112): Vinzenz Hediger
Chapter 4 Tracking Code Unknown (pages 113–123): Tom Conley
Chapter 5 Michael Haneke and the New Subjectivity: Architecture and Film (pages 124–129): Peter Eisenman
Chapter 6 Games Haneke Plays: Reality and Performance (pages 130–146): Brigitte Peucker
Chapter 7 Figures of Disgust (pages 147–160): Christa Blumlinger
Chapter 8 Without Music: On Cache (pages 161–167): Michel Chion
Chapter 9 Fighting the Melodramatic Condition: Haneke's Polemics (pages 168–186): Jorg Metelmann
Chapter 10 “Mourning for the Gods Who Have Died”: The Role of Religion in Michael Haneke's Glaciation Trilogy (pages 187–201): Gregor Thuswaldner
Chapter 11 A Melancholy Labor of Love, or Film Adaptation as Translation: Three Paths to the Lake (pages 203–226): Fatima Naqvi
Chapter 12 Michael Haneke and the Television Years: A Reading of Lemmings (pages 227–242): Peter Brunette
Chapter 13 Variations on Themes: Spheres and Space in Haneke's Variation (pages 243–262): Monica Filimon and Fatima Naqvi
Chapter 14 Projecting Desire, Rewriting Cinematic Memory: Gender and German Reconstruction in Michael Haneke's Fraulein (pages 263–278): Tobias Nagl
Chapter 15 (Don't) Look Now: Hallucinatory Art History in Who Was Edgar Allan? (pages 279–300): Janelle Blankenship
Chapter 16 Bureaucracy and Visual Style (pages 301–320): Brian Price
Chapter 17 Structures of Glaciation: Gaze, Perspective, and Gestus in the Films of Michael Haneke (pages 321–336): Georg See?len
Chapter 18 The Void at the Center of Things: Figures of Identity in Michael Haneke's Glaciation Trilogy (pages 337–353): Peter J. Schwartz
Chapter 19 How to Do Things with Violences (pages 354–370): Eugenie Brinkema
Chapter 20 Between Adorno and Lyotard: Michael Haneke's Aesthetic of Fragmentation (pages 371–419): Roy Grundmann
Chapter 21 Hollywood Endgames (pages 420–437): Leland Monk
Chapter 22 Class Conflict and Urban Public Space: Haneke and Mass Transit (pages 439–454): Barton Byg
Chapter 23 Multicultural Encounters in Haneke's French?Language Cinema (pages 455–476): Alex Lykidis
Chapter 24 Haneke's Secession: Perspectivism and Anti?Nihilism in Code Unknown and Cache (pages 477–494): Kevin L. Stoehr
Chapter 25 The Unknown Piano Teacher (pages 495–510): Charles Warren
Chapter 26 Discordant Desires, Violent Refrains: La Pianiste (The Piano Teacher) (pages 511–531): Jean Ma
Chapter 27 Civilization's Endless Shadow: Haneke's Time of the Wolf (pages 532–550): Evan Torner
Chapter 28 The Intertextual and Discursive Origins of Terror in Michael Haneke's Cache (pages 551–561): T. Jefferson Kline
Chapter 29 Terror and Utopia of Form: Robert Bresson's Au hasard Balthazar (pages 563–574): Michael Haneke
Chapter 30 Violence and the Media (pages 575–579): Michael Haneke
Chapter 31 The World That Is Known: An Interview with Michael Haneke (pages 580–590): Christopher Sharrett
Chapter 32 Unsentimental Education: An Interview with Michael Haneke (pages 591–606): Roy Grundmann