A Companion To Rock Art Jo Mcdonald Peter Veth by Jo Mcdonald, Peter Veth 9781118253892, 9781444334241, 1118253892, 1444334247 instant download after payment.

Content:
Chapter 1 Research Issues and New Directions: One Decade into the New Millennium (pages 1–14): Jo McDonald and Peter Veth
Chapter 2 Rock Art and Shamanism (pages 15–33): J. David Lewis?Williams
Chapter 3 Pictographs, Patterns, and Peyote in the Lower Pecos Canyonlands of Texas (pages 34–50): Carolyn E. Boyd
Chapter 4 Variation in Early Paintings and Engravings (pages 51–68): Iain Davidson
Chapter 5 Rock Art and Seascapes (pages 69–89): Ian J. McNiven and Liam M. Brady
Chapter 6 The Social Dynamics of Aggregation and Dispersal in the Western Desert (pages 90–102): Jo McDonald and Peter Veth
Chapter 7 Rock Art and Transformed Landscapes in Puerto Rico (pages 103–124): Michele H. Hayward and Michael A. Cinquino
Chapter 8 Megalithic Rock Art of the Mediterranean and Atlantic Seaboard Europe (pages 125–142): George Nash
Chapter 9 North American–Siberian Connections: Regional Rock Art Patterning Using Multivariate Statistics (pages 143–159): Alice Tratebas
Chapter 10 Southern Melanesian Rock Art: The New Caledonian Case (pages 160–178): Christophe Sand
Chapter 11 Rock Art Research in India: Historical Approaches and Recent Theoretical Directions (pages 179–196): James Blinkhorn, Nicole Boivin, Paul S. C. Tacon and Michael D. Petraglia
Chapter 12 Engendering Rock Art (pages 197–213): Kelley Hays?Gilpin
Chapter 13 Pictures of Women: The Social Context of Australian Rock Art Production (pages 214–236): Jo McDonald
Chapter 14 Engendering North European Rock Art: Bodies and Cosmologies in Stone and Bronze Age Imagery (pages 237–260): Joakim Goldhahn and Ingrid Fuglestvedt
Chapter 15 Understanding Pleistocene Rock Art: An Hermeneutics of Meaning (pages 261–275): Oscar Moro Abadia and Manuel R. Gonzalez Morales
Chapter 16 Rock “Art” and Art: Why Aesthetics should Matter (pages 276–293): Thomas Heyd
Chapter 17 Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective (pages 294–305): Howard Morphy
Chapter 18 A Theoretical Approach to Style in Levantine Rock Art (pages 306–321): Ines Domingo Sanz
Chapter 19 Rock Art in Situ: Context and Content as Keys to Meaning (pages 323–340): Linea Sundstrom
Chapter 20 Symbolic Discontinuities: Rock Art and Social Changes across Time and Space (pages 341–363): Maria Isabel Hernandez Llosas
Chapter 21 Parietal Art and Archaeological Context: Activities of the Magdalenians in the Cave of Tuc d'Audoubert, France (pages 364–380): Robert Begouen, Carole Fritz and Gilles Tosello
Chapter 22 Rock Art, Inherited Landscapes, and Human Populations in Southern Patagonia (pages 381–397): Judith Charlin and Luis A. Borrero
Chapter 23 When Worlds Collide Quietly: Rock Art and the Mediation of Distance (pages 399–419): Ursula K. Frederick
Chapter 24 Picturing Change and Changing Pictures: Contact Period Rock Art of Australia (pages 420–436): Paul S. C. Tacon, June Ross, Alistair Paterson and Sally May
Chapter 25 Rock Art, Identity, and Indigeneity (pages 437–454): Robert Layton
Chapter 26 Shamanism in Indigenous Context: Understanding Siberian Rock Art (pages 455–471): Andrzej Rozwadowski
Chapter 27 Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia (pages 472–487): Valda Blundell and Donny Woolagoodja
Chapter 28 Rock Art and the UNESCO World Heritage List (pages 489–514): Nuria Sanz
Chapter 29 Safeguarding a Fragile Legacy: Managing uKhahlamba?Drakensberg Rock Art (pages 515–531): Aron Mazel
Chapter 30 Managing Rock Art Sites (pages 532–545): Valerie Magar
Chapter 31 From Discovery to Commoditization: Rock Art Management in Remote Australia (pages 546–561): Peter Veth
Chapter 32 Radiocarbon Dating of Rock Paintings: Incorporating Pictographs into the Archaeological Record (pages 563–582): Karen L. Steelman and Marvin W. Rowe
Chapter 33 Twelve Years of Research in Chauvet Cave: Methodology and Main Results (pages 583–604): Jean Clottes and Jean?Michel Geneste
Chapter 34 In Suspect Terrain: Dating Rock Engravings (pages 605–624): David S. Whitley
Chapter 35 Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies (pages 625–643): Liam M. Brady and Robert G. Gunn
Chapter 36 Robust and Scientifically Reliable Rock Art Documentation from Digital Photographs (pages 644–659): Mark Mudge, Carla Schroer, Tommy Noble, Neffra Matthews, Szymon Rusinkiewicz and Corey Toler?Franklin
Chapter 37 Engaging a New Digital Citizenry (pages 660–669): Michael Ashley and Cinzia Perlingieri