A Companion To Romantic Poetry Charles Mahoney Ed by Charles Mahoney (ed.) 9781405135542, 9781444390650, 1405135549, 1444390651 instant download after payment.

• Breaking free from the boundaries of the traditionally-studied authors, the collection takes a revitalized approach to the field and brings together some of the most exciting work being done at the present time
• Emphasizes poetic form and technique rather than a biographical approach
• Features essays on production and distribution and the different schools and movements of Romantic Poetry
• Introduces contemporary contexts and perspectives, as well as the issues and debates that continue to drive scholarship in the field
• Presents the most comprehensive and compelling collection of essays on British Romantic poetry currently available

Content:
Chapter 1 Mournful Ditties and Merry Measures: Feeling and Form in the Romantic Short Lyric and Song (pages 7–24): Michael O'neill
Chapter 2 Archaist?Innovators: The Couplet from Churchill to Browning (pages 25–43): Simon Jarvis
Chapter 3 The Temptations of Tercets (pages 44–61): Charles Mahoney
Chapter 4 To Scorn or To “Scorn not the Sonnet” (pages 62–77): Daniel Robinson
Chapter 5 Ballad Collection and Lyric Collectives (pages 78–94): Steve Newman
Chapter 6 Satire, Subjectivity, and Acknowledgment (pages 95–106): William Flesch
Chapter 7 “Stirring shades”: The Romantic Ode and Its Afterlives (pages 107–122): Esther Schor
Chapter 8 Pastures New and Old: The Romantic Afterlife of Pastoral Elegy (pages 123–139): Christopher R. Miller
Chapter 9 The Romantic Georgic and the Work of Writing (pages 140–158): Tim Burke
Chapter 10 Shepherding Culture and the Romantic Pastoral (pages 159–175): John Bugg
Chapter 11 Ear and Eye: Counteracting Senses in Loco?descriptive Poetry (pages 176–194): Adam Potkay
Chapter 12 “Other voices speak”: The Poetic Conversations of Byron and Shelley (pages 195–216): Simon Bainbridge
Chapter 13 The Thrush in the Theater: Keats and Hazlitt at the Surrey Institution (pages 217–233): Sarah M. Zimmerman
Chapter 14 Laboring?Class Poetry in the Romantic Era (pages 234–250): Michael Scrivener
Chapter 15 Celtic Romantic Poetry: Scotland, Ireland, Wales (pages 251–267): Jane Moore
Chapter 16 Anglo?Jewish Romantic Poetry (pages 268–284): Karen Weisman
Chapter 17 Leigh Hunt's Cockney Canon: Sociability and Subversion from Homer to Hyperion (pages 285–301): Michael Tomko
Chapter 18 Poetry, Conversation, Community: Annus Mirabilis, 1797–1798 (pages 302–317): Angela Esterhammer
Chapter 19 Spontaneity, Immediacy, and Improvisation in Romantic Poetry (pages 319–336): Angela Esterhammer
Chapter 20 Celebrity, Gender, and the Death of the Poet: The Mystery of Letitia Elizabeth Landon (pages 337–353): Ghislaine McDayter
Chapter 21 Poetry and Illustration: “Amicable strife” (pages 354–373): Sophie Thomas
Chapter 22 Romanticism, Sport, and Late Georgian Poetry (pages 374–392): John Strachan
Chapter 23 “The Science of Feelings”: Wordsworth's Experimental Poetry (pages 393–411): Ross Hamilton
Chapter 24 Romanticism, Gnosticism, and Neoplatonism (pages 412–424): Laura Quinney
Chapter 25 Milton and the Romantics (pages 425–441): Gordon Teskey
Chapter 26 “The Feel of not to Feel it,” or the Pleasures of Enduring Form (pages 443–466): Anne?Lise Francois
Chapter 27 Romantic Poetry and Literary Theory: The Case of “A Slumber did my Spirit Seal” (pages 467–482): Marc Redfield
Chapter 28 “Strange Utterance”: The (Un)Natural Language of the Sublime in Wordsworth's Prelude (pages 483–502): Timothy Bahti
Chapter 29 The Matter of Genre in the Romantic Sublime (pages 503–520): Ian Balfour
Chapter 30 Sexual Politics and the Performance of Gender in Romantic Poetry (pages 521–537): James Najarian
Chapter 31 Blake's Jerusalem: Friendship with Albion (pages 538–553): Karen Swann
Chapter 32 The World without us: Romanticism, Environmentalism, and Imagining Nature (pages 554–571): Bridget Keegan
Chapter 33 Ethical Supernaturalism: The Romanticism of Wordsworth, Heaney, and Lacan (pages 572–588): Guinn Batten
Chapter 34 The Persistence of Romanticism (pages 589–605): Willard Spiegelman