A Companion To Spanish Cinema Jo Labanyi Tatjana Pavlovi by Jo Labanyi, Tatjana Pavlović 9781118322765, 9781405194389, 1118322762, 1405194383 instant download after payment.
A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives.
- Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives
- Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field
- Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films
- Explores Spanish cinema’s cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a “national” cinema
- Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors
- Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research
Content:
Chapter 1 Introduction (pages 1–11): Jo Labanyi and Tatjana Pavlovic
Chapter 2 Transnational Frameworks (pages 15–49): Gerard Dapena, Marvin D'Lugo and Alberto Elena
Chapter 3 Echoes and Traces (pages 50–80): Brad Epps
Chapter 4 Negotiating the Local and the Global (pages 81–110): Jose Colmeiro and Joseba Gabilondo
Chapter 5 Auteurism and the Construction of the Canon (pages 113–151): Marvin D'Lugo and Paul Julian Smith
Chapter 6 Strategic Auteurism (pages 152–189): Antonio Lazaro?Reboll, Steven Marsh, Susan Martin?Marquez and Santos Zunzunegui
Chapter 7 Comedy and Musicals (pages 193–223): Steven Marsh, Chris Perriam, Eva Woods Peiro and Santos Zunzunegui
Chapter 8 Melodrama and Historical Film (pages 224–258): Jo Labanyi, Annabel Martin and Vicente Rodriguez Ortega
Chapter 9 Film Noir, the Thriller, and Horror (pages 25
