American Theatre Ensembles Post1970 Theatre X Mabou Mines Goat Island Lookingglass Theatre Elevator Repair Service And Siti Company Volume 1 Mike Vanden Heuvel by Mike Vanden Heuvel 9781350051546, 9781350051577, 1350051543, 1350051578 instant download after payment.

In this volume, Mike Vanden Heuvel and contributors present the history, processes and achievements of American theatre companies renowned for their use of collective and/or ensemble-based techniques to generate new work. This first volume of two considers theatre companies that were working post-1970: it traces the rise and eventual dissipation of activist-based companies that emerged to serve particular constituencies from the countercultural politics of the 1960s, and examines the shift in the 1980s that gave rise to the next generation of company-based work, rooted in a new interest in form and the more mediated and dispersed forms of politics. Ensembles examined are Mabou Mines, Theatre X, Goat Island, Lookingglass, Elevator Repair Service and SITI Company.
Preliminary chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. The chapters consider factors such as influence, funding, production and legacies, as well as the forms of collective devising and creation, while surveying the continuing work of significant long-running companies.
Contributors provide detailed case studies of the 6 companies from the period and cover:
* A chronicle of development and methods
* Key productions and projects
* Critical reception and legacy
* A chronology of significant productions
From the long history of collective theatre creation, with its sources in social crises, urgent aesthetic experimentation and utopian dreaming, American ensemble-based theatre has emerged at several key points in history to challenge the primacy of author-based and director-produced theatre. As the volume demonstrates, US ensemble companies have collectively revolutionized the form and content of contemporary performance, influencing experimental as well as mainstream practice.