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Antimodernism Radical Revisions Of Collective Identity 1st Edition Diana Mishkova Marius Turda Balzs Trencsnyi

  • SKU: BELL-51560712
Antimodernism Radical Revisions Of Collective Identity 1st Edition Diana Mishkova Marius Turda Balzs Trencsnyi
$ 31.00 $ 45.00 (-31%)

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Antimodernism Radical Revisions Of Collective Identity 1st Edition Diana Mishkova Marius Turda Balzs Trencsnyi instant download after payment.

Publisher: Central European University Press
File Extension: PDF
File size: 2.68 MB
Pages: 454
Author: Diana Mishkova; Marius Turda; Balázs Trencsényi
ISBN: 9789633860953, 9633860954
Language: English
Year: 2014
Edition: 1

Product desciption

Antimodernism Radical Revisions Of Collective Identity 1st Edition Diana Mishkova Marius Turda Balzs Trencsnyi by Diana Mishkova; Marius Turda; Balázs Trencsényi 9789633860953, 9633860954 instant download after payment.

The last volume of the Discourses of Collective Identity in Central and Southeast Europe 1770-1945 series presents 46 texts under the heading of "antimodernism". In a dynamic relationship with modernism, from the 1880s to the 1940s, and especially during the interwar period, the antimodernist political discourse in the region offered complex ideological constructions of national identification. These texts rejected the linear vision of progress and instead offered alternative models of temporality, such as the cyclical one as well as various narratives of decline. This shift was closely connected to the rejection of liberal democratic institutionalism, and the preference for organicist models of social existence, emphasizing the role of the elites (and charismatic leaders) shaping the whole body politic. Along these lines, antimodernist authors also formulated alternative visions of symbolic geography: rejecting the symbolic hierarchies that focused on the normativity of Western European models, they stressed the cultural and political autarchy of their own national community, which in some cases was also coupled with the reevaluation of the Orient. At the same time, this antimodernist turn should not be confused with rightwing radicalism--in fact, the dialogue with the modernist tradition was often very subtle and the anthology also contains texts which offered a criticism of 'modern' totalitarianism in an antimodernist key.

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