logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Art Money Parties New Institutions In The Political Economy Of Contemporary Art Edited By Jonathan Harris

  • SKU: BELL-2251206
Art Money Parties New Institutions In The Political Economy Of Contemporary Art Edited By Jonathan Harris
$ 31.00 $ 45.00 (-31%)

4.3

8 reviews

Art Money Parties New Institutions In The Political Economy Of Contemporary Art Edited By Jonathan Harris instant download after payment.

Publisher: Liverpool University Press
File Extension: PDF
File size: 19.96 MB
Pages: 110
Author: Edited by Jonathan Harris
ISBN: 0853237395
Language: English
Year: 2004

Product desciption

Art Money Parties New Institutions In The Political Economy Of Contemporary Art Edited By Jonathan Harris by Edited By Jonathan Harris 0853237395 instant download after payment.

Art, Money, Parties is a collection of essays based on papers given at a conference of the same name held at Tate Liverpool in November 2002. It sets out to describe and evaluate the development of new forms of art patronage and display evident in such recurrent events as biennials, 'culturalquarter' projects for urban regeneration, novel galleries of contemporary art, and production sponsors (such as the Saatchi Gallery and the Baltic). The scope of the collection is international and its aim is to map and examine the globalisation of art's political-economy. Contributors: JeremyValentine (Queen Elizabeth College, Edinburgh), Andrew Brighton (Tate Modern), Sadie Coles (Gallery owner), Rory Francis (Manchester Metropolitan University), Paul Usherwood (University of Northumbria), Stewart Home (artist and writer), Lewis Biggs (ex-Director, Tate Liverpool), and Jonathan Harris(University of Liverpool).

Related Products