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Artificial Generation Photogenic French Literature And The Prehistory Of Cinematic Modernity Christina Parkerflynn

  • SKU: BELL-46794146
Artificial Generation Photogenic French Literature And The Prehistory Of Cinematic Modernity Christina Parkerflynn
$ 31.00 $ 45.00 (-31%)

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Artificial Generation Photogenic French Literature And The Prehistory Of Cinematic Modernity Christina Parkerflynn instant download after payment.

Publisher: Rutgers University Press
File Extension: PDF
File size: 6.61 MB
Pages: 260
Author: Christina Parker-Flynn
ISBN: 9781978825062, 1978825064
Language: English
Year: 2021

Product desciption

Artificial Generation Photogenic French Literature And The Prehistory Of Cinematic Modernity Christina Parkerflynn by Christina Parker-flynn 9781978825062, 1978825064 instant download after payment.

Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity investigates the intersection of film theory and nineteenth-century literature, arguing that the depth of amalgamation that occurred within literary representation during this era aims to replicate an illusion of life and its sensations, in ways directly related to broader transitions into our modern cinematic age.  A key part of this evolution in representation relies on the continual re-emergence of the artificial woman as longstanding expression of masculine artistic subjectivity, which, by the later nineteenth century, becomes a photographic and filmic drive. Moving through the beginning of film history, from Georges Méliès and other “silent” filmmakers in the 1890s, into more contemporary movies, including Alfred Hitchcock’s Vertigo (1958) and Blade Runner 2049 (2017), the book analyzes how films are often structured around the prior century’s mythic and literary principles, which now serve as foundation for film as medium—a phantom form for life’s re-presentation. Artificial Generation provides a crucial reassessment of the longstanding, mutual exchange between cinematic and literary reproduction, offering an innovative perspective on the proto-cinematic imperative of simulation within nineteenth-century literary symbolism.
 
 

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