logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Avantgarde Nationalism At The Dublin Gate Theatre 19281940 Ruud Van Den Beuken

  • SKU: BELL-38431714
Avantgarde Nationalism At The Dublin Gate Theatre 19281940 Ruud Van Den Beuken
$ 31.00 $ 45.00 (-31%)

4.7

66 reviews

Avantgarde Nationalism At The Dublin Gate Theatre 19281940 Ruud Van Den Beuken instant download after payment.

Publisher: Syracuse University Press
File Extension: PDF
File size: 2.06 MB
Pages: 276
Author: Ruud van den Beuken
ISBN: 9780815636250, 0815636253
Language: English
Year: 2021

Product desciption

Avantgarde Nationalism At The Dublin Gate Theatre 19281940 Ruud Van Den Beuken by Ruud Van Den Beuken 9780815636250, 0815636253 instant download after payment.

In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland’s tumultuous first post-independence decades.

Related Products