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Avatars Activism And Postdigital Performance Precarious Intermedial Identities Liam Jarvis Karen Savage Editor

  • SKU: BELL-50223436
Avatars Activism And Postdigital Performance Precarious Intermedial Identities Liam Jarvis Karen Savage Editor
$ 31.00 $ 45.00 (-31%)

5.0

28 reviews

Avatars Activism And Postdigital Performance Precarious Intermedial Identities Liam Jarvis Karen Savage Editor instant download after payment.

Publisher: Methuen Drama
File Extension: PDF
File size: 1.91 MB
Author: Liam Jarvis; Karen Savage (editor)
ISBN: 9781350159310, 9781350159341, 135015931X, 1350159344
Language: English
Year: 2022

Product desciption

Avatars Activism And Postdigital Performance Precarious Intermedial Identities Liam Jarvis Karen Savage Editor by Liam Jarvis; Karen Savage (editor) 9781350159310, 9781350159341, 135015931X, 1350159344 instant download after payment.

In the context of the postdigital age, where technology is increasingly part of our social and political world, Avatars, Activism and Postdigital Performance traces how identity can be created, developed, hijacked, manipulated, sabotaged and explored through performance in postdigital cultures. Considering how technology is reshaping performance, this timely collection reveals how we engage in performance practices through expanded notions of intermediality, knotted networks and layering.
This book examines the artist as activist and producer of avatars, and how digital doubles, artificial intelligence and semi-automated politics are problematizing and expanding our discussions of identity. Using a range of examples in theatre, film and internet-based performance practices, chapters examine the uncertain boundaries of networked ‘informational selves’ in mediatized cultures, the impacts of machine algorithms, apps and the consequences of digital legacies. Case studies include James Cameron’s Avatar, Blast Theory’s Karen, Ontroerend Goed’s A Game of You, Randy Rainbow’s online videos, Sisters Grimm’s Calpurnia Descending, Dante or Die’s User Not Found, Dead Centre’s Lippy and Chekhov’s First Play and Jo Scott’s practice-as-research in ‘place-mixing’.
This is an incisive study for scholars, students and practitioners interested in the wider conversations around identity-formation in postdigital cultures.

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