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Bernard Shaws The Black Girl In Search Of God The Story Behind The Story Florida Bernard Shaw 1st Leon Hugo

  • SKU: BELL-1825688
Bernard Shaws The Black Girl In Search Of God The Story Behind The Story Florida Bernard Shaw 1st Leon Hugo
$ 31.00 $ 45.00 (-31%)

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Bernard Shaws The Black Girl In Search Of God The Story Behind The Story Florida Bernard Shaw 1st Leon Hugo instant download after payment.

Publisher: University Press of Florida
File Extension: PDF
File size: 5.56 MB
Pages: 200
Author: Leon Hugo
ISBN: 9780813026268, 9780813031866, 0813026261, 0813031869
Language: English
Year: 2003
Edition: 1st

Product desciption

Bernard Shaws The Black Girl In Search Of God The Story Behind The Story Florida Bernard Shaw 1st Leon Hugo by Leon Hugo 9780813026268, 9780813031866, 0813026261, 0813031869 instant download after payment.

Leon Hugo's study is a groundbreaking account of the "story behind the story" of Shaw's allegory The Black Girl in Search of God, a short fable written by Shaw in a remote coastal village in South Africa. Illustrated by John Farleigh, the book was published in 1932 and became a best-seller. The story is a fable of a "black girl," converted by Christian missionaries, who tries to find the answer to the question "Where is God?" by making a journey of the soul. Along the way she meets with a number of representations of God, from the New and Old Testaments of the Bible and from the Koran, who disgust and appall her with their hopelessly outdated embodiments of deity. The reaction from critics and readers of the day ranged from cries of blasphemy to allegations that Shaw was moving to madness. The volume was banned in public libraries and in Ireland. Several tracts and books sought to repudiate, ridicule, or develop Shaw's religious argument, and there were adaptations for stage performances and for radio broadcasts. This literary event is recounted, examined, and assessed by Leon Hugo. He surveys the close kinship between Shaw and Voltaire--a dominant presence in a tale that itself echoes Candide. The final chapter considers the "black girl" as a Shavian champion of religious freedom, feminist rights, and political emancipation. Illustrations revive a selection of Farleigh's captivating artwork, and Hugo includes representative illustrations from the rebutting tracts and books that followed Black Girl as well.

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