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66 reviewsMaule examines how the individuals have maintained a dialectical relationship with the authorial tradition of the national cinema to which each belongs. In considering this tradition, Maule seeks to illustrate that the film author is not only the most important symbol of European cinema’s cultural tradition and commitment, but is also a crucial part of Europe’s efforts to develop its cinema within domestic and international film industries.
The book studies the work, practices and styles of European film-makers including Luc Besson, Claire Denis, Gabriele Salvatores and Alejandro Amenábar.
Beyond Auteurism offers an important contribution to a historicized and contextualized view of film authorship from a theoretical framework that rejects Western-centred and essentialist views of cinematic practices and contexts.
Cover -- Preliminary Pages -- Contents -- List of Illustrations -- List of Tables -- Acknowledgments -- Introduction -- Part One: The 'Death of Cinema' and the Institutionalization of the Author -- Chapter 1: The Film Author and the Survival of European Cinema -- Chapter 2: The Middle Generation -- Chapter 3: The Difficult Legacy of the Nouvelle Vague -- Part Two: The Film Author in the New Audio-visual System -- Chapter 4: For an Impure Cinema -- Chapter 5: A Different Type of Cinephilia -- Chapter 6: Made in Europa -- Part Three: The Female Author in the Era of Post-feminism -- Chapter 7: Auteurism and Women's Cinema in France, Italy and Spain -- Chapter 8: Female Authors and Gendered Identity in Film -- Chapter 9: Feminine Matters -- Conclusion -- Bibliography -- Index -- Back Cover