logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Black Masculinity On Film Native Sons And White Lies Obrien

  • SKU: BELL-6754644
Black Masculinity On Film Native Sons And White Lies Obrien
$ 31.00 $ 45.00 (-31%)

4.0

26 reviews

Black Masculinity On Film Native Sons And White Lies Obrien instant download after payment.

Publisher: PALGRAVE MACMILLAN
File Extension: PDF
File size: 2.83 MB
Pages: 224
Author: O'BRIEN, DANIEL
ISBN: 9781137593221, 9781137593238, 9781771972093, 1137593229, 1137593237, 1771972092
Language: English
Year: 2017

Product desciption

Black Masculinity On Film Native Sons And White Lies Obrien by O'brien, Daniel 9781137593221, 9781137593238, 9781771972093, 1137593229, 1137593237, 1771972092 instant download after payment.

This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O’Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.

Related Products