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0 reviewsFrom B.B. King to Billie Holiday, Blues music not only sounds good, but has an almost universal appeal in its reflection of the trials and tribulations of everyday life. Its ability to powerfully touch on a range of social and emotional issues is philosophically inspiring, and here, a diverse range of thinkers and musicians offer illuminating essays that make important connections between the human condition and the Blues that will appeal to music lovers and philosophers alike.Content:
Chapter 1 Talkin' to Myself Again (pages 1–15): Joel Rudinow
Chapter 2 Reclaiming the Aura (pages 16–24): Ken Ueno
Chapter 3 Twelve?Bar Zombies (pages 25–37): Wade Fox and Richard Greene
Chapter 4 The Blues as Cultural Expression (pages 38–48): Philip Jenkins
Chapter 5 The Artistic Transformation of Trauma, Loss, and Adversity in the Blues (pages 49–65): Alan M. Steinberg, Robert S. Pynoos and Robert Abramovitz
Chapter 6 Sadness as Beauty (pages 66–74): David C. Drake
Chapter 7 Anguished Art (pages 75–83): Ben Flanagan and Owen Flanagan
Chapter 8 Blues and Catharsis (pages 84–93): Roopen Majithia
Chapter 9 Why Can't We be Satisfied? (pages 95–110): Brian Domino
Chapter 10 Doubt and the Human Condition (pages 111–120): Jesse R. Steinberg
Chapter 11 Blues and Emotional Trauma (pages 121–130): Robert D. Stolorow and Benjamin A. Stolorow
Chapter 12 Suffering, Spirituality, and Sensuality (pages 131–141): Joseph J. Lynch
Chapter 13 Worrying the Line (pages 142–152): Kimberly R. Connor
Chapter 14 Lady Sings the Blues (pages 153–166): Meghan Winsby
Chapter 15 Even White Folks Get the Blues (pages 167–175): Douglas Langston and Nathaniel Langston
Chapter 16 Distributive History (pages 176–190): Michael Neumann
Chapter 17 Whose Blues? (pages 191–202): Ron Bombardi
