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Burnin Down The House Home In African American Literature Valerie Sweeney Prince

  • SKU: BELL-51909126
Burnin Down The House Home In African American Literature Valerie Sweeney Prince
$ 31.00 $ 45.00 (-31%)

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Burnin Down The House Home In African American Literature Valerie Sweeney Prince instant download after payment.

Publisher: Columbia University Press
File Extension: PDF
File size: 1.54 MB
Pages: 160
Author: Valerie Sweeney Prince
ISBN: 9780231508797, 0231508794
Language: English
Year: 2004

Product desciption

Burnin Down The House Home In African American Literature Valerie Sweeney Prince by Valerie Sweeney Prince 9780231508797, 0231508794 instant download after payment.

Home is a powerful metaphor guiding the literature of African Americans throughout the twentieth century. This book creates new and sophisticated possibilities for a critical engagement with African American literature by presenting a careful examination of the place of home in five classic novels: Native Son by Richard Wright, Invisible Man by Ralph Ellison, The Bluest Eye and Song of Solomon by Toni Morrison, and Corregidora by Gayl Jones.


Home is a powerful metaphor guiding the literature of African Americans throughout the twentieth century. While scholars have given considerable attention to the Great Migration and the role of the northern city as well as to the place of the South in African American literature, few have given specific notice to the site of "home." And in the twenty years since Houston A. Baker Jr.'s Blues, Ideology, and Afro-American Literature appeared, no one has offered a substantial challenge to his reading of the blues matrix.
Burnin' Down the House creates new and sophisticated possibilities for a critical engagement with African American literature by presenting both a meaningful critique of the blues matrix and a careful examination of the place of home in five classic novels: Native Son by Richard Wright, Invisible Man by Ralph Ellison, The Bluest Eye and Song of Solomon by Toni Morrison, and Corregidora by Gayl Jones.

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