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Chaucer On Screen Absence Presence And Adapting The Canterbury Tales 1st Edition Kathleen Coyne Kelly Tison Pugh

  • SKU: BELL-51055308
Chaucer On Screen Absence Presence And Adapting The Canterbury Tales 1st Edition Kathleen Coyne Kelly Tison Pugh
$ 31.00 $ 45.00 (-31%)

4.1

60 reviews

Chaucer On Screen Absence Presence And Adapting The Canterbury Tales 1st Edition Kathleen Coyne Kelly Tison Pugh instant download after payment.

Publisher: Ohio State University Press
File Extension: PDF
File size: 2.83 MB
Pages: 300
Author: Kathleen Coyne Kelly; Tison Pugh
ISBN: 9780814213179
Language: English
Year: 2016
Edition: 1

Product desciption

Chaucer On Screen Absence Presence And Adapting The Canterbury Tales 1st Edition Kathleen Coyne Kelly Tison Pugh by Kathleen Coyne Kelly; Tison Pugh 9780814213179 instant download after payment.

Unlike William Shakespeare, Jane Austen, Charles Dickens, and other great authors who have enjoyed continued success in Hollywood, Geoffrey Chaucer has largely been shunted to the margins of the cinematic world. Chaucer on Screen: Absence, Presence, and Adapting the Canterbury Tales, edited by Kathleen Coyne Kelly and Tison Pugh, investigates the various translations of Chaucer and the Canterbury Tales to film and television, tracing out how the legacies of the great fourteenth-century English poet have been revisited and reinterpreted through visual media. Contributors to this volume address the question of why Chaucer is so rarely adapted to the screen, and then turn to the occasional, often awkward, attempts to adapt his narratives, including such works as Michael Powell and Emeric Pressburger’s lyrical A Canterbury Tale (1944), Pier Paolo Pasolini’s still-controversial I racconti di Canterbury (1972), Bud Lee’s soft-core The Ribald Tales of Canterbury (1985), Brian Helgeland’s A Knight’s Tale (2001), and BBC television productions, among others. Chaucer on Screen aims to rethink some of the premises of adaptation studies and to erase the ideological lines between textual sources and visual reimaginings in the certainty that many pleasures, scholarly and otherwise, can found in multiple media across disparate eras.

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