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Circulation And Control Artistic Culture And Intellectual Property In The Nineteenth Century 1st Edition Mariestphanie Delamaire

  • SKU: BELL-46409962
Circulation And Control Artistic Culture And Intellectual Property In The Nineteenth Century 1st Edition Mariestphanie Delamaire
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Circulation And Control Artistic Culture And Intellectual Property In The Nineteenth Century 1st Edition Mariestphanie Delamaire instant download after payment.

Publisher: Open Book Publishers
File Extension: PDF
File size: 9.53 MB
Pages: 545
Author: Marie-Stéphanie Delamaire, Will Slauter
ISBN: 9781800641464, 9781800641471, 9781800641488, 9781800641495, 9781800641501, 180064146X, 1800641478, 1800641486, 1800641494
Language: English
Year: 2021
Edition: 1

Product desciption

Circulation And Control Artistic Culture And Intellectual Property In The Nineteenth Century 1st Edition Mariestphanie Delamaire by Marie-stéphanie Delamaire, Will Slauter 9781800641464, 9781800641471, 9781800641488, 9781800641495, 9781800641501, 180064146X, 1800641478, 1800641486, 1800641494 instant download after payment.

The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations.
With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century.
This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age.

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