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4.4
52 reviewsThis book examines the reception and appropriation of Classical (Greco-Roman) Art and Architecture in New York from 1830–1940, including Pennsylvania Station, Rockefeller Center, the Gould Memorial Library, the proposed Civic Center (Foley Square), Federal Hall, as well as on the use of inscriptions in New York’s art and architecture.
Illuminates the connections between New York City's most iconic spaces and the civilization of the ancient Mediterranean
