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Cocacola Socialism Americanization Of Yugoslav Culture In The Sixties Radina Vueti John K Cox

  • SKU: BELL-51922078
Cocacola Socialism Americanization Of Yugoslav Culture In The Sixties Radina Vueti John K Cox
$ 31.00 $ 45.00 (-31%)

5.0

50 reviews

Cocacola Socialism Americanization Of Yugoslav Culture In The Sixties Radina Vueti John K Cox instant download after payment.

Publisher: Central European University Press
File Extension: PDF
File size: 4.02 MB
Pages: 362
Author: Radina Vučetić; John K. Cox
ISBN: 9789633862018, 9633862019
Language: English
Year: 2018

Product desciption

Cocacola Socialism Americanization Of Yugoslav Culture In The Sixties Radina Vueti John K Cox by Radina Vučetić; John K. Cox 9789633862018, 9633862019 instant download after payment.

This book is about the Americanization of Yugoslav culture and everyday life during the nineteen-sixties. After falling out with the Eastern bloc, Tito turned to the United States for support and inspiration. In the political sphere the distance between the two countries was carefully maintained, yet in the realms of culture and consumption the Yugoslav regime was definitely much more receptive to the American model. For Titoist Yugoslavia this tactic turned out to be beneficial, stabilising the regime internally and providing an image of openness in foreign policy. Coca-Cola Socialism addresses the link between cultural diplomacy, culture, consumer society and politics. Its main argument is that both culture and everyday life modelled on the American way were a major source of legitimacy for the Yugoslav Communist Party, and a powerful weapon for both USA and Yugoslavia in the Cold War battle for hearts and minds. Radina Vučetić explores how the Party used American culture in order to promote its own values and what life in this socialist and capitalist hybrid system looked like for ordinary people who lived in a country with communist ideology in a capitalist wrapping. Her book offers a careful reevaluation of the limits of appropriating the American dream and questions both an uncritical celebration of Yugoslavia’s openness and an exaggerated depiction of its authoritarianism.

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