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Collections As Relations Contestations Of Belonging Cultural Heritage And Knowledge Infrastructures 1st Edition Hansjörg Dilger

  • SKU: BELL-238146920
Collections As Relations Contestations Of Belonging Cultural Heritage And Knowledge Infrastructures 1st Edition Hansjörg Dilger
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Collections As Relations Contestations Of Belonging Cultural Heritage And Knowledge Infrastructures 1st Edition Hansjörg Dilger instant download after payment.

Publisher: Routledge
File Extension: PDF
File size: 49.85 MB
Pages: 295
Author: Hansjörg Dilger, Barbara Göbel, Lars-Christian Koch, Stephanie Schütze, Alexis Th. von Poser
ISBN: 9781003370024, 9781032382555, 9781032440248, 1003370020, 1032382554, 1032440244
Language: English
Year: 2025
Edition: 1
Volume: 10.4324/9781003370024

Product desciption

Collections As Relations Contestations Of Belonging Cultural Heritage And Knowledge Infrastructures 1st Edition Hansjörg Dilger by Hansjörg Dilger, Barbara Göbel, Lars-christian Koch, Stephanie Schütze, Alexis Th. Von Poser 9781003370024, 9781032382555, 9781032440248, 1003370020, 1032382554, 1032440244 instant download after payment.

This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves.
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The contributors argue that a focus on the—often contested—making and remaking of relations provides a unique conceptual entrypoint for understanding collections’—and ‘their’ objects’ and media’s—complex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. 
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Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies.

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