logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Communitybased Traditional Music In Scotland A Pedagogy Of Participation 1st Edition Josephine L Miller

  • SKU: BELL-46232940
Communitybased Traditional Music In Scotland A Pedagogy Of Participation 1st Edition Josephine L Miller
$ 31.00 $ 45.00 (-31%)

0.0

0 reviews

Communitybased Traditional Music In Scotland A Pedagogy Of Participation 1st Edition Josephine L Miller instant download after payment.

Publisher: Routledge
File Extension: PDF
File size: 10.66 MB
Pages: 184
Author: Josephine L. Miller
ISBN: 9780367242749, 0367242745
Language: English
Year: 2022
Edition: 1

Product desciption

Communitybased Traditional Music In Scotland A Pedagogy Of Participation 1st Edition Josephine L Miller by Josephine L. Miller 9780367242749, 0367242745 instant download after payment.

This book examines the community-based learning and teaching of ‘traditional’ music in contemporary Scotland, with implications for transnational theoretical issues. The book draws on a broad range of scholarship and a local case study of a large organisation. A historical perspective provides an overview of new educational formats emerging from the mid-twentieth century folk music revival in Scotland. Practices through which participants encounter and perpetuate the idiom of traditional music include social music-making, learning by ear and participatory and presentational elements of musical performances. Individuals are shown as combining these aspects with their own learning strategies to participate in the contemporary community of practice of traditional music. The work also discusses how experiences of learning contribute to identity formation, including the role and practice of ‘tutors’ of traditional music. The author proposes conceptualising the teaching and learning of traditional music in community-based organisations as a ‘pedagogy of participation’.

Related Products