logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Compositional Artifice In The Music Of Henry Purcell Howard Alan

  • SKU: BELL-10795014
Compositional Artifice In The Music Of Henry Purcell Howard Alan
$ 31.00 $ 45.00 (-31%)

4.7

16 reviews

Compositional Artifice In The Music Of Henry Purcell Howard Alan instant download after payment.

Publisher: Cambridge University Press
File Extension: PDF
File size: 24.28 MB
Pages: 292
Author: Howard, Alan
ISBN: 9781139030458, 1139030450
Language: English
Year: 2020

Product desciption

Compositional Artifice In The Music Of Henry Purcell Howard Alan by Howard, Alan 9781139030458, 1139030450 instant download after payment.

Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell's 'artificial' approach to imitative counterpoint. Through this methodology Howard challenges previous responses to Purcell's music that portrayed him as fundamentally conservative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell's compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - to Purcell's early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular. 

Related Products