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4.8
64 reviewsCase studies illuminate the ambiguously gendered star persona of Taiwanese-Hong Kong actress Brigitte Lin, the fictional realism of director Jia Zhangke, the arcane process of selection for the Best Foreign Film Oscar & the intimate connection between cinema & identity in Hirokazu Koreeda's Afterlife (1998). Considering films, their audiences & tastemaking institutions, the book argues that cosmopolitan cinema does not smooth over difference, but rather puts it on display."