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Countries That Dont Exist Selected Nonfiction Russian Library Sigizmund Krzhizhanovsky

Name: Countries That Dont Exist Selected Nonfiction Russian Library Sigizmund Krzhizhanovsky
SKU: BELL-38561638
Price: 31.00 USD
Availability: InStock
Rating: 5 (30 reviews)

SKU: BELL-38561638

$ 31.00 ~~$ 45.00~~ (-31%)

5.0

30 reviews

Countries That Dont Exist Selected Nonfiction Russian Library Sigizmund Krzhizhanovsky instant download after payment.

Publisher: Russian Library

File Extension: PDF

File size: 1.66 MB

Pages: 280

Author: Sigizmund Krzhizhanovsky

ISBN: 9780231202374, 0231202377

Language: English

Year: 2022

Product desciption

Countries That Dont Exist Selected Nonfiction Russian Library Sigizmund Krzhizhanovsky by Sigizmund Krzhizhanovsky 9780231202374, 0231202377 instant download after payment.

Almost
unknown during his lifetime, Sigizmund Krzhizhanovsky is now hailed as a
master of Russian prose. His short stories and novels, unpublishable
under Stalinism but rediscovered long after his death, have drawn
comparisons to the works of Jorge Luis Borges for their distinctive
blend of meta-fictional play and philosophical thought experiment. Like
Borges, Krzhizhanovsky also wrote dazzlingly unconventional essayistic
pieces as a slippery extension of his fictional
projectCountries That Don’t
Exist showcases a selection of Krzhizhanovsky’s exceptional
nonfiction, which spans a dizzying range of genres and voices. Playful
fantasies dwelling in the borderlands between essay and fable,
metaphysical conversations and probing literary criticism, philosophical
essays and wartime memoirs—in all these modes Krzhizhanovsky’s writing
bristles with idiosyncratic erudition and a starkly original vision of
literary creation. Krzhizhanovsky comes across as a strange voice from
another past, at once utterly novel yet unmistakably belonging to the
high modernist 1920s and 1930s. Taken together, these works present to
the English-speaking world a fresh aspect of a newly canonized
author.Countries That Don’t Exist also features critical commentary that places these texts in the
context of Krzhizhanovsky’s other writings and illuminates their
relationship to the philosophical and aesthetic ferment of Russian and
European modernism.