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0 reviewsErin Sheley shows how the symbolic relationship between adultery and threatened English sovereignty created a quasi-criminal legal discourse surrounding the private wrong of adultery; how the literary ‘construction’ of childhood by 19th-century fairy tale writers affected the development of the juvenile justice system; and how evolving rules about rape victim 'character evidence' functioned as epistemological components of volatile national identity.
Charles Brockden Brown's Wieland and Ormond
Thomas Hardy's Tess of the d'Urbervilles
Charles Kingsley's The Water-Babies
George MacDonald's The Lost Princess
Alfred, Lord Tennyson's Idylls of the King
Charlotte Brontë's Jane Eyre
Henry Fielding's The Modern Husband
Sir Walter Scott's Heart of Midlothian
Samuel Richardson's Clarissa