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Curating At The Edge Artists Respond To The Usmexico Border Kate Bonansinga Lucy Lippard

  • SKU: BELL-51926638
Curating At The Edge Artists Respond To The Usmexico Border Kate Bonansinga Lucy Lippard
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Curating At The Edge Artists Respond To The Usmexico Border Kate Bonansinga Lucy Lippard instant download after payment.

Publisher: University of Texas Press
File Extension: PDF
File size: 93.4 MB
Pages: 296
Author: Kate Bonansinga; Lucy Lippard
ISBN: 9780292752986, 0292752989
Language: English
Year: 2013

Product desciption

Curating At The Edge Artists Respond To The Usmexico Border Kate Bonansinga Lucy Lippard by Kate Bonansinga; Lucy Lippard 9780292752986, 0292752989 instant download after payment.

Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin’s founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of “border art” or Chicano art. Instead, Bonansinga captures the creative climate of 2004–2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics. The Rubin’s location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramírez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists’ working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences.

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