Danto And His Critics Second Edition Ernest Leporeeds by Ernest Lepore(eds.) 9780470673447, 9781118253045, 0470673443, 1118253043 instant download after payment.
Updated and revised, the Second Edition of
Danto and His Critics presents a series of essays by leading Danto scholars who offer their critical assessment of the influential works and ideas of Arthur C. Danto, the Johnsonian Professor Emeritus in the Department of Philosophy at Columbia University and long-time art critic for
The Nation.
- Reflects Danto's revisions in his theory of art, reworking his views in ways that have not been systematically addressed elsewhere
- Features essays that critically assess the changes in Danto's thoughts and locate Danto's revised theory in the larger context of his work and of aesthetics generally
- Speaks in original ways to the relation of Danto's philosophy of art to his theory of mind
- Connects and integrates Danto's ideas on the nature of knowledge, action, aesthetics, history, and mind, as well as his provocative thoughts on the philosophy of art for the reader
Content:
Chapter 1 Danto as Systematic Philosopher, or Comme on Lit Danto En Francais (pages 13–29): David Carrier
Chapter 2 Danto's Gallery of Indiscernibles (pages 30–39): Richard Wollheim
Chapter 3 The Invisible Content of Visual Art (pages 41–54): Mark Rollins
Chapter 4 Deja vu all Over Again (pages 55–68): Jerry A. Fodor
Chapter 5 Surface and Deep Interpretation (pages 69–83): Peg Brand and Myles Brand
Chapter 6 “Other Pictures we Look at, – His Prints we Read” (pages 84–108): Lydia Goehr
Chapter 7 A Tale of Two Artworlds (pages 109–117): George Dickie
Chapter 8 Essence, Expression, and History (pages 118–145): Noel Carroll
Chapter 9 Danto's New Definition of Art and the Problem of Art Theories (pages 146–152): Noel Carroll
Chapter 10 Danto and Kant (pages 153–171): Diarmuid Costello
Chapter 11 Atomism, Art, and Arthur (pages 172–196): Robert C. Solomon and Kathleen M. Higgins
Chapter 12 Art and Its Doubles (pages 197–214): Gary Shapiro
Chapter 13 The Beginning of the End (pages 215–231): Daniel Herwitz
Chapter 14 Danto's Aesthetic (pages 232–247): David Carrier
Chapter 15 Art as Religion (pages 249–266): Richard Shusterman
Chapter 16 Looking beyond the Visible (pages 267–282): Carlin Romano
Chapter 17 Replies to Essays (pages 283–311): Arthur C. Danto
