Deleuze And Film Music Building A Methodological Bridge Between Film Theory And Music Gregg Redner by Gregg Redner 9781841504377, 1841504378 instant download after payment.

The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides an analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Read more... Introduction -- Methodology -- Deleuzian sensation and Maurice Jaubert's score for L'Atalante -- The division of the one: Leonard Rosenman and the score for East of Eden -- Dmitri Shostakovich's score for Kozintsev's Hamlet -- Fragments of a life: becoming-music/woman In Kryzysztof Kieslowski's Blue -- The changing conception of space as a delineator In film score style: a comparative analysis of the scores for Things to come and Scott of the Antarctic -- Conclusion -- References -- Corpus of films -- Films cited in text