Deleuze And The Cinemas Of Performance Powers Of Affection 1st Edition Elena Del Río by Elena Del Río 9780748635252, 0748635254 instant download after payment.

The performing body privileges the notion of affective force over the notion of visual form, and Elena del Rio places this at the center of theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, del Rio defines 'affective-performative' cinema, the features of which unfold through detailed discussions of the movements, gestures, and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally Potter, Claire Denis, and David Lynch. She grounds her analysis in the body's powers of affection, proving the insufficiency of former theoretical approaches in accounting for the transformative and creative capacities of the moving body. 'Deleuze and the Cinemas of Performance' will interest scholars and students working with Deleuze, phenomenology, and feminism.