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Dining With Madmen Fat Food And The Environment In 1980s Horror Thomas Fahy

  • SKU: BELL-54939620
Dining With Madmen Fat Food And The Environment In 1980s Horror Thomas Fahy
$ 31.00 $ 45.00 (-31%)

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Dining With Madmen Fat Food And The Environment In 1980s Horror Thomas Fahy instant download after payment.

Publisher: University Press of Mississippi
File Extension: PDF
File size: 11.83 MB
Pages: 229
Author: Thomas Fahy
ISBN: 9781496821539, 9781496821584, 9781496821560, 149682153X, 1496821580, 1496821564
Language: English
Year: 2019

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Dining With Madmen Fat Food And The Environment In 1980s Horror Thomas Fahy by Thomas Fahy 9781496821539, 9781496821584, 9781496821560, 149682153X, 1496821580, 1496821564 instant download after payment.

In Dining with Madmen: Fat, Food, and the Environment in 1980s Horror, author Thomas Fahy explores America's preoccupation with body weight, processed foods, and pollution through the lens of horror. Conspicuous consumption may have communicated success in the eighties, but only if it did not become visible on the body. American society had come to view fatness as a horrifying transformation--it exposed the potential harm of junk food, gave life to the promises of workout and diet culture, and represented the country's worst consumer impulses, inviting questions about the personal and environmental consequences of excess. While changing into a vampire or a zombie often represented widespread fears about addiction and overeating, it also played into concerns about pollution. Ozone depletion, acid rain, and toxic waste already demonstrated the irrevocable harm being done to the planet. The horror genre--from A Nightmare on Elm Street to American Psycho--responded by presenting this damage as an urgent problem, and, through the sudden violence of killers, vampires, and zombies, it depicted the consequences of inaction as terrifying. Whether through Hannibal Lecter's cannibalism, a vampire's thirst for blood in The Queen of the Damned and The Lost Boys, or an overwhelming number of zombies in George Romero's Day of the Dead, 1980s horror uses out-of-control hunger to capture deep-seated concerns about the physical and material consequences of unchecked consumption. Its presentation of American appetites resonated powerfully for audiences preoccupied with body size, food choices, and pollution

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