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Dividing The Isthmus Central American Transnational Histories Literatures And Cultures Ana Patricia Rodrguez

  • SKU: BELL-51923464
Dividing The Isthmus Central American Transnational Histories Literatures And Cultures Ana Patricia Rodrguez
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Dividing The Isthmus Central American Transnational Histories Literatures And Cultures Ana Patricia Rodrguez instant download after payment.

Publisher: University of Texas Press
File Extension: PDF
File size: 4.19 MB
Pages: 309
Author: Ana Patricia Rodríguez
ISBN: 9780292793729, 0292793723
Language: English
Year: 2009

Product desciption

Dividing The Isthmus Central American Transnational Histories Literatures And Cultures Ana Patricia Rodrguez by Ana Patricia Rodríguez 9780292793729, 0292793723 instant download after payment.

In 1899, the United Fruit Company (UFCO) was officially incorporated in Boston, Massachusetts, beginning an era of economic, diplomatic, and military interventions in Central America. This event marked the inception of the struggle for economic, political, and cultural autonomy in Central America as well as an era of homegrown inequities, injustices, and impunities to which Central Americans have responded in creative and critical ways. This juncture also set the conditions for the creation of the Transisthmus—a material, cultural, and symbolic site of vast intersections of people, products, and narratives. Taking 1899 as her point of departure, Ana Patricia Rodríguez offers a comprehensive, comparative, and meticulously researched book covering more than one hundred years, between 1899 and 2007, of modern cultural and literary production and modern empire-building in Central America. She examines the grand narratives of (anti)imperialism, revolution, subalternity, globalization, impunity, transnational migration, and diaspora, as well as other discursive, historical, and material configurations of the region beyond its geophysical and political confines. Focusing in particular on how the material productions and symbolic tropes of cacao, coffee, indigo, bananas, canals, waste, and transmigrant labor have shaped the transisthmian cultural and literary imaginaries, Rodríguez develops new methodological approaches for studying cultural production in Central America and its diasporas. Monumental in scope and relentlessly impassioned, this work offers new critical readings of Central American narratives and contributes to the growing field of Central American studies.

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