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Dreamscapes In Italian Cinema Francesco Pascuzzi Alessandro De Stefanis Bryan Cracchiolo Axel Andersson Eleanor Andrews Linda Belau Maria Letizia Bellocchio Fernando Gabriel Pagnoni Berns Anthony Cristiano Amy M Davis

  • SKU: BELL-51554006
Dreamscapes In Italian Cinema Francesco Pascuzzi Alessandro De Stefanis Bryan Cracchiolo Axel Andersson Eleanor Andrews Linda Belau Maria Letizia Bellocchio Fernando Gabriel Pagnoni Berns Anthony Cristiano Amy M Davis
$ 31.00 $ 45.00 (-31%)

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Dreamscapes In Italian Cinema Francesco Pascuzzi Alessandro De Stefanis Bryan Cracchiolo Axel Andersson Eleanor Andrews Linda Belau Maria Letizia Bellocchio Fernando Gabriel Pagnoni Berns Anthony Cristiano Amy M Davis instant download after payment.

Publisher: Fairleigh Dickinson University Press
File Extension: EPUB
File size: 2.19 MB
Pages: 207
Author: Francesco Pascuzzi; Alessandro de Stefanis; Bryan Cracchiolo; Axel Andersson; Eleanor Andrews; Linda Belau; Maria Letizia Bellocchio; Fernando Gabriel Pagnoni Berns; Anthony Cristiano; Amy M. Davis
ISBN: 9781611477825, 1611477824
Language: English
Year: 2015

Product desciption

Dreamscapes In Italian Cinema Francesco Pascuzzi Alessandro De Stefanis Bryan Cracchiolo Axel Andersson Eleanor Andrews Linda Belau Maria Letizia Bellocchio Fernando Gabriel Pagnoni Berns Anthony Cristiano Amy M Davis by Francesco Pascuzzi; Alessandro De Stefanis; Bryan Cracchiolo; Axel Andersson; Eleanor Andrews; Linda Belau; Maria Letizia Bellocchio; Fernando Gabriel Pagnoni Berns; Anthony Cristiano; Amy M. Davis 9781611477825, 1611477824 instant download after payment.

Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film culture, covering the works of some of the most significant auteurs in the history of Italian cinema (Fellini, Pasolini, Moretti, Bellocchio, among others). Dreams are discussed both in a filmic context, considering the diegetic and formal techniques employed to construct and represent them, and as allegories or metaphors in a broader cultural, political, and social sense (the film industry itself as the proverbial dream factory, and dreams as hopes, aspirations or altogether parallel universes, for example). The book covers works released over different decades and spanning multiple genres (drama, gothic film, horror, comedy), and it is intended to shed light on a topic that is as suggestive as it is insufficiently studied.

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