Dual Wield The Interplay Of Poetry And Video Games Jon Stone by Jon Stone 9783110719239, 3110719231 instant download after payment.

This book has been able to nudge its way into the eerie half-light only with the help of the following people and organisations, to whom I am immensely grateful: the University of the West of England,who provided funding for the period of PhD research that formed the basis of the book; Arts Council England, who provided funding that allowed me to pursue my experiments a little further; Patrick Crogan, who steered me through the PhD from a standing start; Britta Martens and Tom Abba, who gave further guidance and suggestions; Abigail Parry and Kirsten Irving, who read and commented on draft chapters; Rabea Rittgerodt and the editorial board at De Gruyter, who helped to shape the thesis into a more reader-friendly format.
Thanks also to Emma Laura Filtness for the images of her flexagrams, and to Joy and Trevor Stone, Emma Stone, Cliff Hammett, Sebastian Manley, Rebecca Wigmore, Siân Moore, Kim Moore, Claire Shaw and Holly Hopkins, as well as Quickstep and Snakey.
Some parts of the book are expansions of talks given at DiGRA UK 2017, DiGRA 2018: The Game is the Message and DiGRA 2019: Game, Play and the Emerging Ludo Mix. Wounding Blisses was first performed at the National Videogame Arcade as part of GameCity 2015. “Run Forever,” “Sweet Mystress” and Adversary were first shown at the National Videogame Arcade as part of Nottingham Festival of Literature 2016. “Ice Dive,” “L and the Empress of Sand,” Whispering Leaves and “Aubade with Camoufleur” were first performed at the Kendal Poetry Festival 2020.