EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link: https://ebookbell.com/faq

We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.

For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Dystopian Matters On The Page On Screen On Stage Fatima Vieira

Name: Dystopian Matters On The Page On Screen On Stage Fatima Vieira
SKU: BELL-35642464
Price: 31.00 USD
Availability: InStock
Rating: 4 (36 reviews)

SKU: BELL-35642464

$ 31.00 ~~$ 45.00~~ (-31%)

4.0

36 reviews

Dystopian Matters On The Page On Screen On Stage Fatima Vieira instant download after payment.

Publisher: Cambridge Scholars Publishing

File Extension: PDF

File size: 1.5 MB

Pages: 325

Author: Fatima Vieira

ISBN: 9781443847438, 1443847437

Language: English

Year: 2013

Product desciption

Dystopian Matters On The Page On Screen On Stage Fatima Vieira by Fatima Vieira 9781443847438, 1443847437 instant download after payment.

The volume is divided into two parts, separated by an Intermezzo. The first part, Dystopia Matters, benefits from the contribution of reputed scholars of the field of Utopian Studies, who were asked to make a statement explaining why dystopia is important. The Intermezzo completes this part and offers the reader an informed discussion of the concepts of utopia, dystopia and anti-utopia whilst providing ground for the case studies presented in the second part, in the sections devoted to literature, film, and theatre. In one way or another, despite the variety of approaches, all contributors argue for the idea that, if dystopia has invaded most forms of contemporary discourse, its sibling, utopia, has not been eradicated from the scene. Furthermore, the studies show that the tension between the two concepts is instrumental to our cautious, conscious, and tentative construction of the future.