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E2a Piet Eckert Wim Eckert 2g International Architecture Magazine 71 Englishspanish Adolf Krischanitz

  • SKU: BELL-33129404
E2a Piet Eckert Wim Eckert 2g International Architecture Magazine 71 Englishspanish Adolf Krischanitz
$ 31.00 $ 45.00 (-31%)

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E2a Piet Eckert Wim Eckert 2g International Architecture Magazine 71 Englishspanish Adolf Krischanitz instant download after payment.

Publisher: Editorial Gustavo Gil
File Extension: PDF
File size: 74.9 MB
Pages: 176
Author: Adolf Krischanitz, Mario Carpo
ISBN: 9788425227554, 8425227550
Language: English
Year: 2015
Volume: 71

Product desciption

E2a Piet Eckert Wim Eckert 2g International Architecture Magazine 71 Englishspanish Adolf Krischanitz by Adolf Krischanitz, Mario Carpo 9788425227554, 8425227550 instant download after payment.

Architects, like artists, do not produce a work that follows the world’s existing order; rather, they create an order for the world. In its permanent disposition, the world represents the basis of difference as a permanent disposition that is revealed in a work. Perception is the result of dynamic concentration, which is the product of the correct relationship between redundancy and variety. Simultaneity as the phenomenon of constantly recognizing and surprising overcomes this pairing of difference, a reflexive exchange between expectations and the new. The work juxtaposes its overpowering presence with the tangible world, thus dividing them into opposing spheres of reality. Only in the construction of a real world, compared to a hyperreal world, reveals the difference; a before and after, a right and wrong as a fabricated distinction. Art and architecture remain bound by rules. When we consider the work of Piet and Wim Eckert, it appears as an oscillation between continuity and change, intro and extrospection, art and the everyday. Most significant is the development of a deliberate point of view, in order to find specific answers: “There is rather enough of the unspecific, the
normal, the unambitious,” the two architects say. I would like to express some further thoughts about
one particular aspect of Piet and Wim’s architecture: the architectural model. They say, “We utilize models during different design phases. In principle, they are both a means of abstraction as well as a means of building references: they represent a certain essence to us. Models need not be ‘true’ nor do they have to be a direct effigy of reality. Furthermore, they also reveal which modi operandi we should prioritize during the further design process, in order to reveal this essence.” Utilizing the working model as a basis, along with verbal communication, creates a concrete alternative as to how one can implement theoretical architectonic concepts in a pre-linguistic space. ...

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