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Early Modern Drama In Performance Essays In Honor Of Lois Potter Mark Netzloff Arthur F Kinney Bradley D Ryner Darlene Farabee Andrew James Hartley Zdenk Stbrn Evelyn Tribble Virginia Mason Vaughan Michle Willems Jay Halio

  • SKU: BELL-51318012
Early Modern Drama In Performance Essays In Honor Of Lois Potter Mark Netzloff Arthur F Kinney Bradley D Ryner Darlene Farabee Andrew James Hartley Zdenk Stbrn Evelyn Tribble Virginia Mason Vaughan Michle Willems Jay Halio
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Early Modern Drama In Performance Essays In Honor Of Lois Potter Mark Netzloff Arthur F Kinney Bradley D Ryner Darlene Farabee Andrew James Hartley Zdenk Stbrn Evelyn Tribble Virginia Mason Vaughan Michle Willems Jay Halio instant download after payment.

Publisher: University of Delaware Press
File Extension: EPUB
File size: 1.84 MB
Pages: 193
Author: Mark Netzloff; Arthur F. Kinney; Bradley D. Ryner; Darlene Farabee; Andrew James Hartley ; Zdenĕk Stříbrný; Evelyn Tribble ; Virginia Mason Vaughan; Michèle Willems; Jay Halio
ISBN: 9781611495133, 161149513X
Language: English
Year: 2014

Product desciption

Early Modern Drama In Performance Essays In Honor Of Lois Potter Mark Netzloff Arthur F Kinney Bradley D Ryner Darlene Farabee Andrew James Hartley Zdenk Stbrn Evelyn Tribble Virginia Mason Vaughan Michle Willems Jay Halio by Mark Netzloff; Arthur F. Kinney; Bradley D. Ryner; Darlene Farabee; Andrew James Hartley ; Zdenĕk Stříbrný; Evelyn Tribble ; Virginia Mason Vaughan; Michèle Willems; Jay Halio 9781611495133, 161149513X instant download after payment.

Early Modern Drama in Performance is a collection of essays in honor of Lois Potter, the distinguished author of five monographs, including most recently The Life of William Shakespeare (2012), and numerous articles, edited collections, and editions. This collection’s emphasis on Shakespearean and early modern drama reflects the area for which Potter is most widely known, as a performance critic, editor, and literary scholar. The essays by a diverse group of scholars who have been influenced by Potter address recurring themes in her work: Shakespeare and non-Shakespearean early modern drama, performance history and theatre practice, theatrical performance across cultures, play reviewing, and playreading. What unifies them most, though, is that they carry on the spirit of Potter’s work: her ability to meet a text, a performance, or a historical period on its own terms, to give scrupulous attention to specific details and elegantly show how these details generate larger meaning, and to recover and preserve the fleeting and the ephemeral.

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