logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Emi Films And The Limits Of British Cinema 1st Ed Paul Moody

  • SKU: BELL-7323474
Emi Films And The Limits Of British Cinema 1st Ed Paul Moody
$ 31.00 $ 45.00 (-31%)

4.7

46 reviews

Emi Films And The Limits Of British Cinema 1st Ed Paul Moody instant download after payment.

Publisher: Springer International Publishing,Palgrave Macmillan
File Extension: PDF
File size: 2.64 MB
Author: Paul Moody
ISBN: 9783319948027, 9783319948034, 3319948024, 3319948032
Language: English
Year: 2018
Edition: 1st ed.

Product desciption

Emi Films And The Limits Of British Cinema 1st Ed Paul Moody by Paul Moody 9783319948027, 9783319948034, 3319948024, 3319948032 instant download after payment.

This book is the first of its kind to trace the development of one of the largest and most important companies in British cinema history, EMI Films. From 1969 to its eventual demise in 1986, EMI would produce many of the key works of seventies and eighties British cinema, ranging from popular family dramas like The Railway Children (Lionel Jeffries, 1970) through to critically acclaimed arthouse successes like Britannia Hospital (Lindsay Anderson, 1982). However, EMI’s role in these productions has been recorded only marginally, as footnotes in general histories of British cinema. The reasons for this critical neglect raise important questions about the processes involved in the creation of cultural canons and the definition of national culture. This book argues that EMI’s amorphous nature as a transnational film company has led to its omission from this history and makes it an ideal subject to explore the ‘limits’ of British cinema.

Related Products

Diary Of A Void Emi Yagi

4.0

36 reviews
$45.00 $31.00