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Emotions In Korean Philosophy And Religion Confucian Comparative And Contemporary Perspectives 1st Edition Edward Y J Chung

  • SKU: BELL-57720032
Emotions In Korean Philosophy And Religion Confucian Comparative And Contemporary Perspectives 1st Edition Edward Y J Chung
$ 31.00 $ 45.00 (-31%)

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Emotions In Korean Philosophy And Religion Confucian Comparative And Contemporary Perspectives 1st Edition Edward Y J Chung instant download after payment.

Publisher: Palgrave Macmillan
File Extension: PDF
File size: 10.76 MB
Pages: 408
Author: Edward Y. J. Chung, Jea Sophia Oh
ISBN: 9783030947491, 3030947491
Language: English
Year: 2022
Edition: 1

Product desciption

Emotions In Korean Philosophy And Religion Confucian Comparative And Contemporary Perspectives 1st Edition Edward Y J Chung by Edward Y. J. Chung, Jea Sophia Oh 9783030947491, 3030947491 instant download after payment.

This pioneering book presents thirteen articles on the fascinating topic of emotions (jeong 情) in Korean philosophy and religion. Its introductory chapter comprehensively provides a textual, philosophical, ethical, and religious background on this topic in terms of emotions West and East, emotions in the Chinese and Buddhist traditions, and Korean perspectives. Chapters 2 to 5 of part I discuss key Korean Confucian thinkers, debates, and ideas. Chapters 6 to 8 of part II offer comparative thoughts from Confucian moral, political, and social angles. Chapters 9 to 12 of part III deal with contemporary Buddhist and eco-feminist perspectives. The concluding chapter discusses ground-breaking insights into the diversity, dynamics, and distinctiveness of Korean emotions. This is an open access book.

The Groovology of White Affect “This book is an example of ‘New South African’ scholarship of the very best kind. 

It is the fi rst academic study of boeremusiek, and it invitingly opens signif i cant new channels for our understanding of white racism, both locally and internationally.”

—Christopher Ballantine, LG Joel Professor of Music Emeritus, University of KwaZulu-Natal, South Africa “Out of the convenient closet of academic avoidance comes Willemien Froneman’s bold groovological theorization of white musical pleasure and boeremusiek’s racialized technologies of affect. The result is a wonderful contribution to South African music history, to engaged theories of whiteness and racial formation, and to contemporary research on indexicalities of language and musical practice.”

—Steven Feld, Distinguished Professor Emeritus of Anthropology and Music, University of New Mexico, New Mexico, US

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