EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link: https://ebookbell.com/faq

We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.

For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Ethics At The Cinema 1st Edition Ward E Jones Samantha Vice

Name: Ethics At The Cinema 1st Edition Ward E Jones Samantha Vice
SKU: BELL-6638592
Price: 31.00 USD
Availability: InStock
Rating: 4.8 (104 reviews)

SKU: BELL-6638592

$ 31.00 ~~$ 45.00~~ (-31%)

4.8

104 reviews

Ethics At The Cinema 1st Edition Ward E Jones Samantha Vice instant download after payment.

Publisher: Oxford University Press

File Extension: PDF

File size: 1.7 MB

Pages: 341

Author: Ward E. Jones, Samantha Vice

ISBN: 9780195320398, 9780195320404, 0195320395, 0195320409

Language: English

Year: 2011

Edition: 1

Product desciption

Ethics At The Cinema 1st Edition Ward E Jones Samantha Vice by Ward E. Jones, Samantha Vice 9780195320398, 9780195320404, 0195320395, 0195320409 instant download after payment.

The editors of Ethics at the Cinema invited a diverse group of moral philosophers and philosophers of film to engage with ethical issues raised within, or within the process of viewing, a single film of each contributor's choice. The result is a unique collection of considerable breadth. Discussions focus on both classic and modern films, and topics range from problems of traditional concern to philosophers (e.g. virtue, justice, and ideals) to problems of traditional concern to filmmakers (e.g. sexuality, social belonging, and cultural identity).