Faces Of Fear A Novel John Saul by John Saul 9780345487056, 0345487052 instant download after payment.

New York Times bestselling author John Saul is a master at writing novels that chill the bones, curdle the blood, and tap into our darkest fears. He creates characters so real that you’ll feel as if they’re friends or family, and throws them into situations so terrifying that you won’t be able to look away until you turn the final page. Now, in Faces of Fear, Saul proves that there’s a fine line between perfection and madness.

Fifteen-year-old Alison Shaw may not be beautiful, but she doesn’t really care: She’d much rather read a good book than primp in front of a mirror anyway. But Alison’s gorgeous mother, Risa, knows that beauty can be a key to success and wishes only the best for her daughter, especially when Risa marries a widowed plastic surgeon and moves Alison from Santa Monica to Bel Air. Beauty may be only skin deep, but to the denizens of Bel Air it means the world. Everywhere mother and daughter look, they are surrounded by beautiful people, many of whom have benefited from the skills of Alison’s new stepfather, the charismatic Peter Dunn. Peter is certain he can turn Alison into a vision of loveliness, and Risa–drawn in by his cool confidence–is delighted. Reluctantly, Alison agrees to undergo the first procedure, and her transformation begins.

But soon Alison discovers a picture of Peter’s first wife. To Alison’s horror, she notices a resemblance between the image in the photo and the work her stepfather is doing on her. Though Risa refuses to acknowledge the strange similarity, Alison becomes increasingly frightened. Digging further into her stepfather’s murky past, Alison uncovers dark secrets–and even darker motives–and realizes that her worst fears are fast becoming her reality.

Beverly Hills plastic surgeon Conrad Dunn has put his talents to work making his wife, Margot, the embodiment of physical perfection, but after her face is scarred in a boating accident, Margot takes her own life in this less than suspenseful thriller from bestseller Saul ( The Devil's Labyrinth ). Remarrying within a year, Dunn persuades his new teenage stepdaughter, Alison Shaw, who's struggling to adjust to life in the Dunn mansion and to a private school with a ridiculously affluent student body, to undergo breast-enhancement surgery. Meanwhile, the police are searching frantically for the Frankenstein Killer, a serial slayer who removes his female victims' glands as well as more obvious body parts. The motive for the killings and the eventual outcome will surprise few readers. The basic premise has a plot hole big enough to fit a truck, but Saul fans may not notice or care if they do. (Aug.) ""
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Alison Shaw, 16, is OK with herself as she is; that is, physically fit and not obsessive about her plain face and flat chest. But a cascade of coincidences leads her to self-doubt. First, supermodel Margot Dunn, sidelined by an accident that minced one side of her perfect puss, takes a header onto some California coastal rocks. Then Alison’s parents, real estate agent Risa and TV-station production manager Michael, split over his affair with another man. Then Risa is wooed and won by her wealthy client Conrad Dunn, Margot’s cosmetic supersurgeon widower, which shifts Alison from normal upper-middle-class neighborhood and friends to Dunn’s super-upscale haunts and a school full of rich girls who’ve already gone under his scalpel. Surrounded by feminine perfection, Alison reluctantly reassesses herself. Dunn has already assessed her and found bone structure to match Margot’s. He made Margot. Can he remake her? Meanwhile, a series of horrific murders is under way, in which each victim is left lacking a different facial feature. Saul has done so many imperiled-child thrillers that he probably could write one in his sleep. In fact, darned if he hasn’t with this flaccid, routine, predictable example. --Ray Olson

PRAISE FOR JOHN SAUL

The Devil’s Labyrinth

“Impossible to put down . . . Saul’s labyrinth imprisons us for the full, dark ride. . . . One of his suspenseful, mesmerizing best.”
–The Providence Journal

In the Dark of Night

“Undeniably creepy . . . [Saul knows] how to send shivers up the spines of readers.”
–Publishers Weekly

Perfect Nightmare

“Terrifying . . . full of surprises.”
–Lincoln Journal Star

Midnight Voices

“A gripping read.”
–Baton Rouge Advocate

The Manhattan Hunt Club

“Thrilling . . . packed with plot twists.”
–Booklist

Faces of Fear is John Saul’s thirty-fifth novel. His first novel, Suffer the Children, published in 1977, was an immediate million-copy bestseller. His other bestselling suspense novels include In the Dark of Night, Perfect Nightmare, Black Creek Crossing, Midnight Voices, The Manhattan Hunt Club, Nightshade, The Right Hand of Evil, The Presence, Black Lightning, The Homing, and Guardian. He is also the author of the New York Times bestselling serial thriller The Blackstone Chronicles, initially published in six installments but now available in one complete volume. Saul divides his time between Seattle, Washington, and Hawaii.

www.johnsaul.com

1

Alison Shaw felt good. Really good. She made the final turn around the smooth cinder track with long, easy strides. She’d done six full laps, but with the cool breeze coming in from the beach four blocks away, there wasn’t even a hint of the choking exhaust that usually drifted directly from the Santa Monica Freeway onto the playing fields. She felt she could do at least three more laps when she heard the coach’s whistle. End of period; end of day; end of week. A shower, and she could go home. She slowed her pace so Cindy Kearns could catch up with her.

“There’s a party at the beach tonight,” Cindy said, catching her breath and wiping more perspiration from her forehead than was on Alison’s entire body. “Jeff Simmons is going to be there.” Cindy was pretty sure Alison had a crush on Jeff, but if she did, she wasn’t showing it. In fact, she was shrugging like she couldn’t care less.

“Can’t,” Alison said. “My mom has to go to some fancy banquet for one of her clients tonight and I’m fixing dinner for my dad.”

“How domestic of you,” Cindy said. “What about after dinner? It won’t even get dark until after eight, and it could go until mid- night.”

Alison rolled her eyes. “And Jeff Simmons will bring a keg of beer, and everybody will get drunk, and the cops will come, and then we’ll all have to call our folks to come get us. Gee, it sounds like so much fun, how can I resist?”

Cindy decided to ignore her sarcasm. “So if you don’t want him, can I have Jeff Simmons?”

Alison glared at her best friend in not-quite-mock exasperation. Ever since she’d turned fifteen last month, all Cindy seemed to think about was boys—as if some kind of switch had been turned on. “I barely even know Jeff,” she said. “And I’m sure he’s no more interested in me than any of the other boys are, which means not at all, which is fine with me. Besides, even if I wanted to go, my dad’s bringing home a movie. So add Jeff to your list of conquests, and call me with all the details tomorrow.”

Once again Cindy ignored Alison’s tone, and pushed through the double doors into the girls’ locker room, which was even warmer than the air outside, and muggy from the showers that were already going full blast. Cindy quickly stripped off her sweaty gym clothes and dropped them in a dank pile on the floor.

Alison had just shed her shorts when Coach DiBenedetti walked through the locker room, a bra dangling from her fingers. “Lost and found,” she announced. “Who left a bra under the bench?”

Paula Steen, one of a half-dozen seniors in the class, snickered. “Well, we know it’s not Alison Shaw’s,” she called out, eliciting exactly the laugh she was looking for from her friends.

Seeing Cindy open her mouth to take a shot at Paula, Alison spoke first. “Is it a training bra?” she called out to the coach, loud enough for everyone to hear. “ ’Cause if it isn’t, Paula’s right—can’t possibly be mine.” When even Paula’s friends giggled, she decided to push it a little further. “I’m still looking for the pretraining model!”

The coach smiled at Alison. “You’re just a late bloomer,” she said. “And the last blossoms are often the best of the season.”

In the silence that followed, it seemed to Alison that everyone was staring at her.

“You’ve got a model’s body,” Cindy Kearns put in a second before the silence would have gotten awkward. “In fact,” she said, turning to stare straight at Paula Steen, “you’ve got exactly the body Paula’s always wanted.”

“But she doesn’t have the face I have, does she?” Paula shot back, tucking her own gym clothes into her backpack.

“I’ll see you in my office, Paula,” the coach said, sternly.

“It’s okay,” Alison said, suddenly wishing she’d just kept her mouth shut. “Really.”

“It’s not okay,” Marti DiBenedetti said. “My office, Paula.”

Paula glowered at Alison. If she was already in trouble, she figured, she might as well get the absolutely last word. “The longer you stay a little girl, the less competition for the rest of us,” Paula sneered as she hefted her backpack and followed the coach to her office. “Only gay boys like bodies like yours!”

“Just ignore her,” Cindy said as Paula disappeared around a corner.

“Ignore what?” Alison countered, forcing a tone far lighter than she was feeling. She undressed quickly, still smarting from Paula’s ridicule, and self-consciously wrapped herself in the skimpy gym towel. “I don’t know what’s so great about big boobs anyway. I’ll either get them or I won’t—it’s not like I have anything to do with it.” She followed Cindy to the cavernous shower room, which was empty except for Gina Tucci, who was leisurely washing her hair at the farthest showerhead.

And who was Paula Steen’s best friend.

Alison hung her towel on a hook, braced herself for whatever Gina might say, and stepped under a showerhead. She rinsed off quickly, then wrapped the towel around herself again before returning to her locker. Gina was still washing her hair. Maybe everyone wasn’t staring at her after all.

She was almost dressed when Cindy came back from the shower. Alison tucked her blouse into her jeans and buckled her belt, then sat on the bench brushing her hair while Cindy dressed and rummaged in her backpack. Then, using the mirror she’d affixed to the inside of her locker door, Cindy erased smudges of mascara around her eyes and carefully applied dark pink lipstick.

“Want to get a Coke?” Alison asked her.

“Can’t. My mom’s picking me up.”

“What about tomorrow?”

“Call me,” Cindy said, picking up her backpack. “I’ll give you the full report on tonight.”

Then Cindy was gone and Alison was alone in the locker room. She stuffed her dirty gym clothes into a plastic bag and shoved them into her backpack, then caught glimpse of herself in one of the mirrors on the locker room wall. Rising to her feet and carrying her backpack with her, she moved closer to the mirror and took a look at herself.

And what she saw wasn’t bad. In fact, she looked fine. She didn’t need a lot of makeup, and she didn’t need pounds of hips, and breasts, either. And she sure didn’t need to compete for one of those idiot boys who Paula—and even Cindy—seemed to think were so hot. So what was she worried about? Paula and all the other girls like her could have all the boobs and all the boys, if that was what they wanted.

She looked just fine, and felt good.

And she knew she’d keep telling herself that until the sting of Paula’s comments wore off and she once again truly felt as good as she had half an hour ago, when she’d come off the track.

Margot Dunn sat at her vanity table, her hand trembling as she gazed at the diamond earrings that lay on her palm. She could hear her husband cursing in his dressing room as he fumbled with the bow tie to his tux, but his voice sounded oddly muffled, as if coming from much farther away than the few yards that lay between them. But even if she’d heard him clearly, there was no way she could help him. Not the way she always had before. The gulf between herself and Conrad Dunn—between herself and everyone else in the world—had grown too wide.

The hairdresser had come, done his job perfectly, and gone; her makeup man had come and done his best. And she had actually been able to slip into the gray silk Valentino that Conrad had chosen for her to wear to the banquet tonight.

The Dunn Foundation banquet.

The single event where everyone she knew was certain to be present, and certain to be opening their checkbooks, if not their hearts, for her husband’s charity.

The event at which she herself had always been the crown jewel.

Yet when it came time to actually put on the glittering diamond earrings and pronounce herself ready to go, she couldn’t do it. She couldn’t find the energy, just as she couldn’t find the energy to help Conrad with his tie.

Right now she didn’t even have the energy to cry.

But she had to find the energy, had to dig deep within herself and find the resources to get her through the evening. Taking a deep breath, she twisted her head to the right and lifted her eyes from the earrings to her reflection in the mirror. For a brief moment, when all she could see was the left side of her face, she felt her spirits rise ever so slightly, and seized the moment to attach one of the jewels in her hand to her left ear.

But even as her fingers worked to slip the post through the tiny hole in her earlobe, she caught a glimpse of the puckered sag of her right eye, and almost against her own volition found herself turning her head to expose the other side of her face to her gaze. Where once she had beheld on the right side of her face only the perfect reflection of the left, now three thick jagged scars sliced from the lower edge of her jaw up through the plane of her cheek, their upper extremity pulling her lower eyelid down so a red semicircle always glowed beneath the deep blue of her iris.

Her eye, formerly so beautiful, was now as hideous as the rest of that side of her face.

Red, white, and blue. Like some fucking Fourth of July bunting, hanging from her ruined face.

Ramón, her makeup specialist, had done his best, but no amou...