logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Film And Urban Space Critical Possibilities 1st Edition Geraldine Pratt

  • SKU: BELL-34835962
Film And Urban Space Critical Possibilities 1st Edition Geraldine Pratt
$ 31.00 $ 45.00 (-31%)

0.0

0 reviews

Film And Urban Space Critical Possibilities 1st Edition Geraldine Pratt instant download after payment.

Publisher: Edinburgh University Press
File Extension: PDF
File size: 3.46 MB
Pages: 256
Author: Geraldine Pratt, Rose Marie San Juan
ISBN: 9780748623839, 0748623833
Language: English
Year: 2014
Edition: 1

Product desciption

Film And Urban Space Critical Possibilities 1st Edition Geraldine Pratt by Geraldine Pratt, Rose Marie San Juan 9780748623839, 0748623833 instant download after payment.

Film and Urban Space: Critical Possibilities traces recurring debates about what constitutes film’s political potential and argues that the relation between film and urban space has been crucial to these debates and their historical transformations. The book demonstrates that in the attempt to follow certain prescriptions – shooting on location, disrupting normalizing time, experimenting with memory, interlinking the spaces of screen and cinema – films invariably use the relation between film and urban space as a kind of laboratory, testing anew received prescriptions but invariably encountering new opportunities and new limits. A wide range of key films, from Dziga Vertov’s 1928 Man with a Movie Camera to Jia Zhangke’s 2008 24 City, are discussed in depth, each offering an argument for how the encounter between specific manifestations of modern urban space and politically engaged film strategies has served to challenge the status quo and stimulate critical thinking.

Related Products