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Furiously Funny Comic Rage From Ralph Ellison To Chris Rock Terrence T Tucker

  • SKU: BELL-6977840
Furiously Funny Comic Rage From Ralph Ellison To Chris Rock Terrence T Tucker
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Furiously Funny Comic Rage From Ralph Ellison To Chris Rock Terrence T Tucker instant download after payment.

Publisher: University Press of Florida
File Extension: PDF
File size: 1.47 MB
Pages: 303
Author: Terrence T. Tucker
ISBN: 9780813054360, 0813054362
Language: English
Year: 2018

Product desciption

Furiously Funny Comic Rage From Ralph Ellison To Chris Rock Terrence T Tucker by Terrence T. Tucker 9780813054360, 0813054362 instant download after payment.

A combustible mix of fury and radicalism, pathos and pain, wit and love--Terrence Tucker calls it "comic rage," and he shows how it has been used by African American artists to aggressively critique America's racial divide.
In Furiously Funny, Tucker finds that comic rage developed from black oral tradition and first shows up in literature by George Schuyler and Ralph Ellison shortly after World War II. He examines its role in novels and plays, following the growth of the expression into comics and stand-up comedy and film, where Richard Pryor, Spike Lee, Whoopi Goldberg, and Chris Rock have all used the technique.
Their work, Tucker argues, shares a comic vision that centralizes the African American experience and realigns racial discourse through an unequivocal frustration at white perceptions of blackness. They perpetuate images of black culture that run the risk of confirming stereotypes as a means to ridicule whites for allowing those destructive depictions to reinforce racist hierarchies. At the center of comic rage, then, is a full-throated embrace of African American folk life and cultural traditions that have emerged in defiance of white hegemony's attempts to devalue, exploit, or distort those traditions. The simultaneous expression of comedy and militancy enables artists to reject the mainstream perspective by confronting white audiences with America's legacy of racial oppression.
Tucker shows how this important art form continues to expand in new ways in the twenty-first century and how it acts as a form of resistance where audiences can engage in subjects that are otherwise taboo.

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