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ISBN 10: 0230240925
ISBN 13: 978-0230240926
Author: D. Wootton, G. Holderness
Explores dramatic, narrative and polemical versions of the 'taming of the shrew' story, from the Middle Ages to the Restoration, in light of recent historical work on the position of early modern women in society. Its essays address shrew narratives as an extended cultural dialogue debating issues of gender and sexual politics.
Front Matter
Introduction – Graham Holderness
Shrews in Pamphlets and Plays – Anna Bayman, George Southcombe
Shrews, Marriage and Murder – Sandra Clark
Engendering Shrews: Medieval to Early Modern – Holly A. Crocker
‘He speaks very shrewishly’: Apprentice-training and The Taming of the Shrew – Richard Madelaine
The Shrew as Editor / Editing Shrews – Leah S. Marcus
Putting the Silent Woman Back into the Shakespearean Shrew – Margaret Maurer, Barry Gaines
Unknown Shrews: Three Transformations of The/A Shrew – Helmer J. Helmers
‘Ye sid ha taken my Counsel sir’: Restoration Satire and Theatrical Authority – Charles Conaway
‘Darkenes was before light’: Hierarchy and Duality in The Taming of A Shrew – Graham Holderness
The Gendered Stomach in The Taming of the Shrew – Jan Purnis
The Tamer Tamed, or None Shall Have Prizes: “Equality” in Shakespeare’s England – David Wootton
Afterword: ‘Thus have I politicly ended my reign’ – Ann Thompson
Back Matter
gender and power in shrew taming narratives
power and gender in the taming of the shrew
gender stereotypes in taming of the shrew
gender roles in taming of the shrew essay
gender norms in taming of the shrew
Tags: D Wootton, G Holderness, Gender, Power, Shrew Taming, Narratives, 1500 1700