logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Genre Authorship And Contemporary Women Filmmakers Katarzyna Paszkiewicz

  • SKU: BELL-32929222
Genre Authorship And Contemporary Women Filmmakers Katarzyna Paszkiewicz
$ 31.00 $ 45.00 (-31%)

0.0

0 reviews

Genre Authorship And Contemporary Women Filmmakers Katarzyna Paszkiewicz instant download after payment.

Publisher: Edinburgh University Press
File Extension: PDF
File size: 2.05 MB
Pages: 256
Author: Katarzyna Paszkiewicz
ISBN: 9781474425261, 1474425267
Language: English
Year: 2018

Product desciption

Genre Authorship And Contemporary Women Filmmakers Katarzyna Paszkiewicz by Katarzyna Paszkiewicz 9781474425261, 1474425267 instant download after payment.

'Genre, Authorship and Contemporary Women Filmmakers' examines the significance of women's contribution to genre cinema by highlighting the work of US filmmakers within and outside Hollywood - Kathryn Bigelow, Sofia Coppola, Nancy Meyers and Kelly Reichardt, among others. Exploring genres as diverse as horror, the war movie, the Western, the costume biopic and the romantic comedy, Katarzyna Paszkiewicz interrogates questions of 'genre' authorship; the blurring of the borders between commercial and independent cinema and gendered discourses of (de)authorisation that operate within each sphere; 'male' - 'female' genre divisions; and the issue of authorial subversion in film and popular culture in a wider sense. With its focus on close analysis of the films themselves and the cultural and ideological meanings involved in the reception of genre texts authored by women, this book expands critical debates around women's cinema and offers new perspectives on how contemporary filmmakers explore the aesthetic and imaginative power of genre.

Related Products