logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Ghostly Desires Queer Sexuality And Vernacular Buddhism In Contemporary Thai Cinema Arnika Fuhrmann

  • SKU: BELL-10531942
Ghostly Desires Queer Sexuality And Vernacular Buddhism In Contemporary Thai Cinema Arnika Fuhrmann
$ 31.00 $ 45.00 (-31%)

0.0

0 reviews

Ghostly Desires Queer Sexuality And Vernacular Buddhism In Contemporary Thai Cinema Arnika Fuhrmann instant download after payment.

Publisher: Duke University Press
File Extension: PDF
File size: 12.45 MB
Pages: 272
Author: Arnika Fuhrmann
ISBN: 9780822361190, 9780822361558, 0822361191, 0822361558
Language: English
Year: 2016

Product desciption

Ghostly Desires Queer Sexuality And Vernacular Buddhism In Contemporary Thai Cinema Arnika Fuhrmann by Arnika Fuhrmann 9780822361190, 9780822361558, 0822361191, 0822361558 instant download after payment.

Through an examination of post-1997 Thai cinema and video art Arnika Fuhrmann shows how vernacular Buddhist tenets, stories, and images combine with sexual politics in figuring current struggles over notions of personhood, sexuality, and collective life. The drama, horror, heritage, and experimental art films she analyzes draw on Buddhist-informed conceptions of impermanence and prominently feature the motif of the female ghost. In these films the characters' eroticization in the spheres of loss and death represents an improvisation on the Buddhist disavowal of attachment and highlights under-recognized female and queer desire and persistence. Her feminist and queer readings reveal the entangled relationships between film, sexuality, Buddhist ideas, and the Thai state's regulation of heteronormative sexuality. Fuhrmann thereby provides insights into the configuration of contemporary Thailand while opening up new possibilities for thinking about queer personhood and femininity.

Related Products