logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Greek Tragedy And The Contemporary Actor 1st Edition Zachary Dunbar Stephe Harrop

  • SKU: BELL-7323734
Greek Tragedy And The Contemporary Actor 1st Edition Zachary Dunbar Stephe Harrop
$ 31.00 $ 45.00 (-31%)

4.7

76 reviews

Greek Tragedy And The Contemporary Actor 1st Edition Zachary Dunbar Stephe Harrop instant download after payment.

Publisher: Springer
File Extension: PDF
File size: 2.08 MB
Pages: 237
Author: Zachary Dunbar; Stephe Harrop
ISBN: 9783319954714, 3319954717
Language: English
Year: 2018
Edition: 1

Product desciption

Greek Tragedy And The Contemporary Actor 1st Edition Zachary Dunbar Stephe Harrop by Zachary Dunbar; Stephe Harrop 9783319954714, 3319954717 instant download after payment.

This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.

Related Products