Haptic and Audio Interaction Design Third International Workshop HAID 2008 Jyvaskyla Finland September 15 16 2008 Proceedings 1st Edition by Antti Pirhonen, ‎Stephen Brewster ISBN 3540878823 9783540878827 by Martin Pielot, Niels Henze, Wilko Heuten, Susanne Boll (auth.), Antti Pirhonen, Stephen Brewster (eds.) 9783540878827, 3540878823 instant download after payment.

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ISBN 10: 3540878823 
ISBN 13: 9783540878827
Author: Antti Pirhonen, ‎Stephen Brewster

Bringing Them Under the Same Roof The Haptic and Audio Interaction Design workshop series is now in its third year. These workshops have already demonstrated a clear need for a venue in which - searchers and practitioners in these areas gather together under the same roof. Three years have also shown clear developments in the approaches taken – with the benefits of combining haptics and audio shown practically and conceptually in this year’s - pers. In other words, it seems that when there is interaction between audio and haptic researchers, they really learn from each other and multimodal approaches emerge. There are many good reasons for using haptics and audio together. There are the practical needs in application development. Mobile devices are an obvious example – while the device is small in size and is used on the move, interaction cannot rely solely on visual display. On the other hand, the development of applications for visually impaired people makes it necessary to learn how to design non-visual user-interfaces for different situations.

Haptic and Audio Interaction Design Third International Workshop HAID 2008 Jyvaskyla Finland September 15 16 2008 Proceedings 1st Table of contents:

1. Introduction
2. Related Work
3. Direction Presentation with a Tactile Belt
4. Evaluation
5. Accuracy of Direction Perception
6. Waypoint Navigation in Virtual Environments
7. Self Reports and Observations
8. Discussion
9. Conclusion and Future Work
10. References
11. Supporting Collaboration between Visually Impaired and Sighted Children in a Multimodal Learning Env
12. Introduction
13. Systems and Applications Tested
14. Apparatus
15. The Space Application
16. The Solar System
17. Evaluation Settings and Procedures
18. The First Study
19. Participants
20. Tasks
21. Results
22. Lessons Learned
23. The Second Study
24. Participants
25. Tasks
26. Results
27. Discussion and Conclusions
28. References
29. Perceptually Informed Roles for Haptic Feedback in Expressive Music Controllers
30. Introduction
31. Haptics as a Possible Design Approach
32. Related Work
33. Proposed Methodology
34. Proposition
35. Paradigm and Platform
36. Stages
37. Conclusions
38. References
39. Real-Time Gesture Recognition, Evaluation and Feed- Forward Correction of a Multimodal Tai-Chi Platf
40. Introduction
41. System Implementation
42. Data Acquisition
43. Real-Time Gesture Recognition Process
44. Real-Time Descriptor Process
45. Virtual Reality Platform
46. Vibrotactile Feedback System
47. Audio Feedback System
48. Experimental Results
49. Conclusions
50. Future Work
51. References
52. A System for Multimodal Exploration of Social Spaces
53. Motivation
54. System Design
55. The Agent Network
56. Agent Functions and the Recommender System
57. Developed Prototype
58. Multimodal Interface and Interaction
59. Haptic Force Modeling
60. Pilot Study
61. Concluding Remarks
62. References
63. Towards Haptic Performance Analysis Using K-Metrics
64. Introduction
65. Experimental Design
66. K-Metrics
67. Assessing Predictive Performance
68. Results
69. Conclusion
70. References
71. Multimodal Interaction: Real Context Studies on Mobile Digital Artefacts
72. Introduction and Background
73. Mobile Multimodal Artefact Framework
74. Artefact Manipulation
75. Case Study
76. Conclusions and Future Work
77. References
78. An Audio-Haptic Aesthetic Framework Influenced by Visual Theory
79. Introduction
80. Background and Motivation
81. Audio-Haptic Media Design Process
82. Designing a Visual-Vibrotactile Framework
83. An Audio-Haptic Composition Example
84. Discussion
85. Aesthetic Perception Map Feedback
86. Audio-Haptic Modality Transfer Discussion
87. Conclusion
88. References
89. In Search for an Integrated Design Basis for Audio and Haptics
90. Introduction
91. Modal Interconnections in Perception
92. Conceptualisation of Multimodality
93. Embodied Meaning
94. Embodied Multimodality and Mental Images
95. Designing Action-Relevant UI-Elements by Utilising Mental Imagery
96. Concluding Statements
97. References
98. emph tacTiles for Ambient Intelligence and Interactive Sonification
99. Introduction
100. TacTiles
101. tacTiles Sensor Mat Design
102. tacTiles Electronics Board
103. Interaction Tests and tacTile Monitoring
104. Interactive Sonification
105. Data Mining on tacTile Input Patterns
106. tacTile Applications
107. Sonification for Real-Time Monitoring of Working Styles
108. Rapid Scanning of Working Styles
109. Emo-Feedback: Stay Tuned with EmoChair
110. Sonification-Based Cooperative Balancing
111. Discussion and Conclusion
112. References
113. An Audio-Haptic Interface Concept Based on Depth Information
114. Introduction
115. The Use of Distance Information
116. Auditory Distance Perception
117. Related Work
118. Scope of the Paper
119. The Haptic User Interface
120. Modeling of the Audio Space
121. The Acoustic Environment
122. Acoustical Properties of the Membrane
123. Applications
124. Conclusion and Future Work
125. References
126. Crossmodal Rhythm Perception
127. Introduction
128. The Experiment
129. Experimental Tasks
130. Subjects
131. Stimuli
132. Design
133. Procedure
134. Data Analysis
135. Results
136. The Effect of Modality Conditions
137. Subjective Ratings
138. Discussion and Summary
139. References
140. The Effect of Auditory Cues on the Audiotactile Roughness Perception: Modulation Frequency and Sound
141. Introduction
142. Multimodal Roughness Perception
143. The Objectives of the Present Study
144. Experiments
145. Auditotactile Roughness Perception and Relative Contributions of the Auditory and Tactile Systems
146. Influence of Modulation Frequency on Roughness Perception
147. General Discussion and Conclusions
148. References
149. Author Index

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Tags: Antti Pirhonen, ‎Stephen Brewster, Haptic, Audio