Heather Raffos Iraq Plays The Things That Cant Be Said 9 Parts Of Desire Fallujah Noura Heather Raffo by Heather Raffo 9781350145160, 9781350145177, 9781350145184, 9781350145191, 1350145165, 1350145173, 1350145181, 135014519X instant download after payment.

In these three works Raffo explores the indelible effects of war on
Iraqis, Americans, and the refugees caught between the two cultures.
When considered together, these three works give voice to nearly two
decades of rarely examined traumas that have reshaped cultural and
national identity for both Americans and Iraqis since the events of
9/11.
Heather Raffo is a renowned playwright and performer whose
work has been described by The New Yorker as an example of “how art can
remake the world.” An American with Iraqi heritage, her work is seen as
a rare bridge between western and eastern cultures.
With ongoing
debates about the legacy of America's foreign wars and future role in
the Middle East, this volume offers a uniquely historical and deeply
human perspective on the political issues of our time. Spanning a decade
and a half, together these works form a mosaic of untold stories that
were ground breaking in their time and continue to profoundly impact
communities and classrooms internationally.
9 Parts of Desire
(2003): "First Choice/The Best Shows in London" by The Times, and as
one of the “Five Best Plays” in London by The Independent. Its award
winning, Off-Broadway premiere ran for nine sold out months and was a
critics pick of the The New York Times, Time Out, and Village Voice. The
play then received productions in nearly every major regional theatre
market in American before being translated for international productions
in Brazil, Greece, Sweden, Hungary, India, Turkey, Malta, France, Iraq,
Egypt, and Israel. It was the first commercial hit on a national and
international stage by an Arab American playwright helping to birth a
new genre of Middle Eastern American Theatre.
Fallujah
(2016) received its world premiere at Long Beach Opera before
transferring to NYC Opera. The first ever opera about the Iraq War it
tells a U.S. Marine's account of the battle of Fallujah it focuses on
moral injury and veteran suicide.
Noura (2018) won the L.
Arnold Weissberger New Play Award and was hailed “The Most Ambitious
Premiere” of the Women's Voices Theatre Festival by The Washington Post
and “stirringly powerful” by The New York Times. Told from inside the
marriage of an Iraqi family, the play explores the lingering cost of
exile for both recent refugees and more established American immigrants.
Drawing inspiration from Ibsen's A Doll's Hous and championed as
a first of its kind feminist refugee narrative, it is already being
included in university curriculum both in America and abroad.- Google Books